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Most of today's film actresses are typical of a mass-production age: living dolls who look as if they came off an assembly line and whose uniformity of appearance is frequently a triumph of modern science, thanks to which they can be equipped with identical noses, breasts, teeth, eyelashes, and hair.

Helen Lawrenson (1968). “Latins are Still Lousy Lovers”
Most of today's film actresses are typical of a mass-production age: living dolls who look as if they came off an assembly line and whose uniformity of appearance is frequently a triumph of modern science, thanks to