Authors:

To a nice ear, the quality of a voice is singularly affecting. Its depth seems to be allied to feeling; at least, the contralto notes alone give an adequate sense of pathos. They are born near the heart.

Henry Theodore Tuckerman (1850). “The optimist”, p.83
To a nice ear, the quality of a voice is singularly affecting. Its depth seems to be allied to feeling; at least, the contralto notes alone give an adequate sense of pathos. They are born near the heart.