I am never in a hurry to reach details. First and above all I am interested in the large masses and the general character of a picture; when these are well established, then I try for subtleties of form and color. I rework the painting constantly and freely, and without any systematic method.
From Corot's 'Notebooks', 1850. "Artists on Art, from the 14 to 20 Centuries". Book by Robert Goldwater and Marco Treves, pp. 240-241, 1972.
