Animation Quotes - Page 2

You've got to be able to make animation for much less... Less is not the studio's way.

I do not make films primarily for children. I make them for the child in all of us, whether we be six or sixty.

I usually have 10 different animation projects going at a time.

I brought in the stories many times. I don't just do animation.

I miss animation very passionately. Not continuously, but every once in a while I would die to do another film.

Animation is manipulating the difference.

But the animation has become very good, and I think that a movie is not a book, and a book is not a movie.

When business executives are making the artistic decisions and don't understand animation, things can go awry.

Yes, actually. Animation's a very easy thing to watch on tour.

I was very briefly under contract to Disney Animation, to develop ideas for animated features. They don't like you to use the word "cartoon" around there.

The human species, although happily ridiculous at times, is still reaching for the stars.

I always liked making things, and then I fell into animation. And then luck comes into it as well.

The good thing about animation is that you can affect it. If something is not working, then you just fix it.

Animation has completely changed and I've always been a big fan.

When I was in my early 20s, I was quite into Japanese animation. It's like the same thing that I end up always saying which is, imagery based stuff is the thing that really gets me.

I'm the biggest fan of animation. I love the history of animation, I know it well.

A lot of the time in animation is spent getting the story right - that's something you can't rush.

All new tools are useful to animators, but great animation comes down to great animators.

Animation has always been about technology. You can't have animation without technology.

I'm not ashamed to say that I cried at an animation movie

Technology is the friend of traditional animation. It doesn't have to replace it. It can help you do it.

I'm a true fan of animation, and it's my livelihood. Live-action is secondary to me.

When in doubt, resort to animation.

Walt Disney’s Mickey Mouse... by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren’t necessarily plugged into comic strip history... I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers.

Now that had worked very successfully at Pixar, and he ended up adding one at Walt Disney Animation and one at DTS. So, I'm part of that Brain Trust where I sit in on all things creative for the whole studio, but especially in the Planes area.