Artists erase reality to a greater or lesser extent, and substitute their own reality - created by their brains, instead.
There's a lot of artists whose contracts are written in such a way that they do not get paid for what's happening on streaming services.
Becoming an artist cannot be taught. A degree and diligence is not a guarantee that one can become an 'artist.
Let us not forget that group of self-taught, outsider artists who never stepped foot in any classroom and cared less about even exhibiting, and yet ended up with an audience of avid admirers.
Does an artist truly need to understand her times in order to create? I'm not sure. We're all sitting in a context. It's a market.
Be artistic, choose taste, set an example.
If an artist comes intuitively from the point of design, notan - lightness/darkness - is natural.
I have been very fortunate to be a part of tours with other artists that have exposed me to new places that I've never been before. Once you discover something beautiful, you just want to keep coming back.
I've always said that the experience of meeting an artist that you are in awe of and that you hope to create with one day is usually disappointing because you put them up on a pedestal, and then you're like, 'Wow, that's not a nice person.'
Suffering is the main condition of the artistic experience.
Everything that Eddie has said about me is the total opposite of what really happened. Eddie says I wanted to be a solo artist. No, Eddie wanted to be a solo artist.
I'm something totally different. There are a lot of female artists my age around at the moment, but they're all American and blonde and blue-eyed and smiley. I'm totally the opposite of that. I want to show a bit more attitude and I have an opinion.
There are certainly things labels can still provide that indie artists cant. They can pave the way to radio and pay big bucks for promotion.
For spiritual companions I have had the many artists who have relied on nature to help shape their imagination. And their most elaborate equipment was a deep reverence for the world through which they passed. Photographers share something with these artists. We seek only to see and to describe with our own voices, and, though we are seldom heard as soloists, we cannot photograph the world in any other way.
It's difficult not to color our perception of author's product with his personality. There are so many examples of this. What do we think of Ezra Pound - clearly a great poet and clearly kind of an asshole? You can say the same thing about Louis-Ferdinand CĂ©line, who clearly was a Nazi sympathizer, and yet one of the great writers of the 20th century. It is tough, but there are enough examples around where we have to somehow find a way of separating the work from the artist and seeing what there is to see in the work, while also condemning the thoughts we see in the man.
I have a merely ethical and moral relationship to collecting. Whereby I never collect things that I necessarily like. I collect things by young artists who don't have any money because I need to give them some money! Because I think that they should carry on whether I like it or not.
every artist is both male and female, and ... sometimes, the two great elements are in conjunction with him, so that all by himself he suddenly gets the melody and the burst of feeling of a great symphony without any external stimuli.
My experiences have been, from the very beginning, cultural and creative. And my business has been a way of exposing the culture, exposing the artists so that the world could hear and see them.
The artists are now big brands.
There are few gardens that can be left alone. A few years of neglect and only the skeleton of a garden can be traced. . . . Japanese artists working with a few stones and sand four hundred years ago achieved strangely lasting compositions. However there, too, but for the hands that have piously raked the white sand into patterns and controlled the spread of moss and lichens, little would remain.
I began as a boy with artistic talent... as a visual artist... I thought that was what I'd become and in my late teens drifted into reading serious literature.
I really admire artists who take the time to recharge their batteries and not continually call on it. I think you can spot tired and jaded artists quite quickly.
It is so much worse to be a mediocre artist than to be a mediocre post-office clerk.
Form is sometimes considered a mere spice added by the artist to the representation of objects in order to make it pleasurable.
The principle of parsimony is valid esthetically in that the artist must not go beyond what is needed for his purpose.