There is nothing better than getting something in front of an audience in a less stressful setting than previews!
There are times I'm completely uncomfortable with my works being performed publicly, and I haven't attended certain concerts because the prospect is akin to having a diary read on stage. But there are also situations - whether with an audience of one, or many - where the concert experience can be deeply special, and those experiences are often unpredictable, and wonderful when they occur.
More often than not, I'm worried about, where shouldn't we have music? Because the tendency is just to put everything everywhere all the time in a lot of movies. You end up just numbing the audience when you do that and it's not the best way to tell a story.
I never thought about the gayness. Liberace just looked like he was having so much fun. And that whole idea of talking directly to the audience, you just went along with him. He made you happy. And he's finally getting acknowledged for all the Elton John, Lady Gaga, Madonna theatrics now that people are looking at his old costumes.
I make movies that audiences like, that I'd want to see. That's all.
You win an Oscar, it can double the audience that you had before.
Older audiences are hard to win over. They're very specific in their tastes and critical of new music.
I don't think the audience always listens to the critics. That's been proven time and time again.
I like to make sure that I'm believable. If I don't believe me, then there's a lot of people that don't believe me, but if I can believe that I'm doing it, then I know the audience will, too.
In theatre, the main objective is to make the art happy, not the audience!
Facebook and Myspace are the U.S. audience, which is tried and true when it comes to being susceptible to ads.
Nobody has a magic lamp which can tell you in advance whether what you say will be effective in persuading an audience.
Humour is completed by an audience.
I think you should make a movie that has an audience.
I love the idea of finding new talent, however you do it, and the television mechanism - seeing artists grow and rise to the occasion - is a medium that actually works because there's a way for the audience to get to know an artist and for the artist to improve.
I think human beings probably resonate with audiences more than bunnies, but who knows?
You mustn't underestimate an audience's intelligence.
To sway an audience, you must watch them as you speak.
I prefer to think of the audience as a single living organism with which I am sharing a singular, never-to-be-repeated experience.
I miss live audiences, because it's like no other form of entertainment, where the audience is a major part of the production every night.
You have to have a very holler-y sensibility. So they [the audience] know there's something worth listening to.
Audiences can tell when you're being fake and they will eat you alive. But if you're doing something authentic they will connect to it and that can lead to commercial success.
Traditional horizontal search engines cannot always identify the target audience, niche or vertical industry of a page or site. Vertical search engines address this issue by the nature of their design. They identify sites according to more specific criteria and sometimes even by human input.
I like talking; I like playing with the audience.
I guess it's pretty diverse, but I do have quite a 30-and-older male audience coming out to the shows. I don't know if that's due to me being a female or what.
