Audience Quotes - Page 25

I live in New York, so I'm used to the audiences that cheer and clap through a play. It is unusual for London audiences.

Audiences can be very judgmental.

For me, once the film is out, it belongs to the audience, and I have to be open to any reaction that comes from it.

Television lets audiences deeply connect with characters.

I'd never even thought about compromise when I worked in my studio. The major distinction is in the priority of who I ultimately wanted to please: myself or the audience.

Both Averill and Bayar were like actors speaking lines for their audience and not to each other.

I never want to feel constrained by writing a novel for a specific audience.

When I do something good, the audience lets me know immediately. They laugh. That's it.

If you cry too much on screen, you're crying for the audience.

I was touring a lot... I loved the touring because you could really feel the audience. You were much closer to everything.

I love the theater because the theater is alive. The audience is right there.

What questions do I want my audience to ask?

There's no such thing as a passive audience.

For an actor, there is no greater loss than the loss of his audience.

I don't want to go too far away from what I'm doing now because that would alienate my audience.

I'm a believer in that you can't really choose your audience, your audience chooses you.

I like to work around identification for the audience, and when there's a grown-up or a moral figure or something like that, people tend to go there.

If you have something really important you want to say, you have to read your audience, I guess.

I almost never try to make the audience comfortable. I wouldn't want that if I were in the audience.

How does my music connect to an audience? That is just a complete mystery to me.

I've lost audiences, I've recovered them.

You make your music, then you try to find whatever audience is out there for it.

I feel like what I owe my audience is what I'm most passionate about.

There's an awful lot of scenes where we don't know what the scene's going to be about, we ask the audience, pick a place that the scene is happening, pick the relationship, tell us who they are, things like that.

I learn more from the audience than I can from anybody else. Not from what they write on the scorecards, but how they respond to the movie while they're watching it - where they laugh and where they react.