Book Quotes - Page 219

I'm no longer a child and I still want to be, to live with the pirates. Because I want to live forever in wonder. The difference between me as a child and me as an adult is this and only this: when I was a child, I longed to travel into, to live in wonder. Now, I know, as much as I can know anything, that to travel into wonder is to be wonder. So it matters little whether I travel by plane, by rowboat, or by book. Or, by dream. I do not see, for there is no I to see. That is what the pirates know. There is only seeing and, in order to go to see, one must be a pirate.

Great books give you a feeling that you miss all day, until you finally get to crawl back inside those pages again.

Books are not like people. Books are safe.

Children have to have access to books, and a lot of children can't go to a store and buy a book. We need not only our public libraries to be funded properly and staffed properly, but our school libraries. Many children can't get to a public library, and the only library they have is a school library.

It was not long after sunrise, and Stephen Waterman, fresh from his dip in the river, had scrambled up the hillside from the hut in the alder-bushes where he had made his morning toilet.

I keep a notebook of the things I need to get done in a day, week, month along with my overarching goals. Whenever I have a couple moments on set or on a plane, I work on ticking off my to-do list.

Reading develops cognitive skills. It trains our minds to think critically and to question what you are told. This is why dictators censor or ban books. It's why it was illegal to teach slaves to read. It's why girls in developing countries have acid thrown in their faces when they walk to school.

Fortunately, I come from an activist mother, so I didn't have to rely on the history books. The history books teach us nothing about the Underground Railroad aside from Harriet Tubman. So I knew more about it but, obviously, I had to dig deeper and expand my knowledge and do a lot of research once I took this project on. I had, like, a good two months to research before we started shooting, which isn't a lot, and I continued it throughout the five months of us shooting.

You know, I was a kid who had difficulty speaking English when I first immigrated. But in my head, when I read a book, I spoke English perfectly. No one could correct my Spanish. And I think that I retreated to books as a way, you know, to be, like, masterful in a language that was really difficult for me for many years.

The thing is - do we really need another writer who writes a book every eighteen months, whether the quality is wonderful or not? I mean, maybe. But I can name twenty off the top of my head who do it. Maybe what we need is a writer like me who goes very slow, as well.

..books look as if they contain knowledge, while e-readers look as if they contain information.

I never read the "Bobbsey Twins" or "Boxcar Children."But I did remember being downtown, at the bookstore by myself and having an allowance and spending it on a Nancy Drew mysteries. And I was probably eleven, twelve.

There's no book or play or series or anything that speaks to everyone, because then it wouldn't speak to anyone.

I stop and think before I start a new book and ask myself do I really want to spend the next year or two or three with these characters because if I don't, then I shouldn't be writing about them.

The best books come from someplace inside. You don't write because you want to, but because you have to.

Fear is often disguised as moral outrage.

I write the big scenes first, that is, the scenes that carry the meaning of the book, the emotional experience.

People are more likely to search for specific books in which they are actively interested and that justify all of that effort of reading them. Electronic images and sounds, however, thrust themselves into people's environments, and the messages are received with little effort. In a sense, people must go after print messages, but electronic messages reach out and touch people. People will expose themselves to information in electronic media that they would never bother to read about in a book.

Vintage books, old china, antiques; maybe I love old things so much because I feel impermanent myself.

We use books like mirrors, gazing into them only to discover ourselves.

My writing is of a very different kind from anything I've heard about. All this mythological material is out there, a big gathering of stuff, and I have been reading it for some forty- or fifty-odd years. There are various ways of handling that. The most common is to put the material together and publish a scholarly book about it. But when I'm writing, I try to get a sense of an experiential relationship to the material. In fact, I can't write unless that happens ... I don't write unless the stuff is really working on me, and my selection of material depends on what works.

If you don't write your books, nobody else will do it for you. No one else has lived your life.

Books, the children of the brain.

As a child I was really into fantasy books with elves and goblins and swords, and I went through a phase for a few years when I was reading endless series. But in the end I became totally fed-up with all these sub-Tolkien rip-offs because they all end up doing the same old things and there's no rigour to it.

In the book I define conservatism, as I believe it is fit upon four categories of principle: respect for The Constitution, respect for life, less government, and personal responsibility.