Cameras Quotes - Page 45

I've learned to hate it when the cameras are pointed at me.

[The trainers] work a day or two a week; I work six days a week, 13 hours a day to get that footage. Carrying the show is very stressful, because I never get away from the cameras. It devastates my personal life.

When I'm working behind a camera, I feel like I'm trying to achieve something like a jazz musician does.

If youve got five cameras, youre making sure that youre in the right position for each one of the cameras.

I'd like to use IMAX. The problem with IMAX is that it's a very loud camera. It's a very unreliable camera. Only so much film can be in the camera. You can't really do intimate scenes with it.

I do not see eye to eye with the camera.

I'll be gray by the time I'm 30, but I like my hair. It looks shiny. I like the way it looks when those highlights are picked up on camera.

My mentality is: I'm going to do it. I'm going to eat a lot of food, and then I'm going to complain about it when I see myself on camera.

Some comedians you work with, they only turn on when the camera turn on, and they're like sad-faced clowns when the camera's off. And then, they come alive when the camera come on. And you be like, "Oh, damn. You're not a depressed ball of depression, but you are actually funny."

I am going to get officers training to deescalate situations, ban racial profiling, and make body cameras available.

What's troubling is that because the camera is 3D, the northern part of the screen isn't necessarily north anymore. So the jungle transforms into the true meaning of a jungle. For someone with no sense of direction like myself, I get lost in the caves every time.

I wonder how Colin Powell sleeps at night. I would like to have a word with him because he lied. He lied. He lied to me. He lied to my face through the camera at the U.N.

I just travel the world with my backpack and my cameras and a bunch of Clif bars.

I totally love being on camera.

When the camera comes on, I am not Hayden any more, I am Lizzie!

In "Virginia Woolf" I had a thing which the grips called the paraplegic which was a wheelchair thing that I had made up years before where I could stand on this bicycle-like device and be pushed down the hall, and then step off it with a handheld camera.

The helicopter was a U.S. Navy helicopter. There were no civilian helicopters available to film companies, so they just made some stuff out of two-by-four wood. And I would straddle a two-by-four out from the helicopter with a camera and what we call a high hat, which is a low metal stand.

In the year and a half I was on SNL, I never saw anybody ad lib anything. For a very good reason - the director cut according to the script. So, if you ad libbed, you'd be off mike and off camera.

When you're on camera, you can't think of all the technical things.

If I hope to survive, I have to acknowledge the natural selection that goes on when film stocks and cameras are eliminated from the world. And film viewers won't want to watch the same thing over and over again from me.

I like being behind the camera because I can control perception and what people see.

Digital held no romance for me at all. I hated it. I miss my big cameras. The working process, I miss it.

My wife Mariana is a good photographer too and, like me, she just picks up a camera and takes a picture when she sees something, rather than looking too deeply into it.

I love the chemistry that can be created onstage between the actors and the audience. It's molecular even, the energies that can go back and forth. I started in theater and when I first went into movies I felt that my energy was going to blow out the camera.

I don't want to direct music videos at all. Any work I do with a camera I'd like to be for a film.