Cameras Quotes - Page 47

I've always had two principles throughout all my life in motion-pictures: never do before the camera what you would not do at home and never do at home what you would not do before the camera.

No one knows who I am and no-one cares. I could jump in front of a camera man and he'd just tell me to get out of the way.

If I have an idea I want to put in a movie, I know what camera will make that look best, and I have ideas for future projects and stuff I'd like to build for those. I think it's just part of how I work, though.

You see what you think, you see what you feel, you are what you see If with the camera you can make others see it - that is photography.

Men cannot act before the camera in the presence of death.

The trick is not to become somebody else. You become somebody else when you're in front of a camera or when you're on stage. There are some people who carry it all the time. That, to me, is not acting.

I can remember the moment when I suddenly felt that the camera was a living partner. I suddenly felt this is art, and the camera is a co-operative living person. After that I was extremely happy to act in films.

If Im healthy, that comes across on camera.

I feel cool about making music and I feel secure pushing boundaries in my music. But things like videos and photos I find really difficult. I don't really like being in front of a camera - even though it is my job and I must act like I do.

Back in the day, no one had digital cameras. They took these pictures of me, got them developed, and then mailed them to me.

The camera creates a magical transformation. It's not enough to exist; we must chronicle that existence. ... Narrative- and image-making creatures like humans don't feel any experience is complete unless it's recorded.

As an actor, doing animation is definitely on the list of most actors because it is such a freeing, fun, different experience than being on camera. There's just something different about it that's not more fun, but a different sort of fun.

There were moments - I would be daydreaming - I would imagine scenes, even if there wasn't a camera around. In my head, I was acting.

I usually befriend the camera department very early on in the film and drive them nuts. I'm constantly bombarding them with questions and going through the stills photography. A film set is a great place for me and I love it.

I really enjoy behind the camera stuff and I'm a frustrated photographer myself and just love the camera. I love that side of it and that part of the filmmaking world and I enjoy developing things. It's an area that I'll continue to be more active in as time goes by.

Often, people ask if it's different doing live-action and voice-over, but the only thing that's different, really, is that we're in a booth and there's no camera on me. But, my intention, as an actor, is exactly the same.

It's pretty intense to have someone (the camera) looming there when you are singing a song but it's sort of invigorating too.

I grew up around horses, but acting and riding on camera is a whole different thing.

When I get up in the morning I brush my teeth and go about my business, and if I am going anywhere interesting I take my camera along.

I'm not used to being in front of a camera as myself. I'm not used to watching myself as myself.

When I have hiring power, I try to work with women in my camera crew as much as possible.

The camera is more than a recorder, it's a microscope. It penetrates, it goes into people and you see their most private and concealed thoughts.

I never go to a gym unless I have to for a role, a contract. I try to take care of myself as a human being, not because I have to be in front of the camera.

I like being involved in the lighter side of journalism because it serves a purpose, and it's fun. And I can keep my opinions off camera if I want.

Unfortunately, I'm not one of those people who take pictures, you know, carry a camera. Because if I did I'd have stack's and stack's and stack's of different act's. I got a lot here - I know what I done.