I love doing what I do. I'm a born mentor. I've launched so many people's careers. I worked hard.
What I find really difficult is making career decisions.
I never thought of myself as a comedic actor. I didn't go to Second City, that's not my background, I'm not a comic, I studied theater and my career when I started was a lot of dramatic stuff.
APA is another evolution in my career; they have unique vision and share my goals for the future. I look forward to expanding our horizons together.
Careers are what they are, they don't make any sense at all when you look back. We're not in charge of them.
My so-called career is a haphazard thing.
At some time in their careers, most good historians itch to write a history of the world, endeavor to discover what makes humanity the most destructive and creative of species.
I have been typecast in my career, although the type changes with the decades.
I'm a very, very proud Canadian, and having the privilege to represent my country on the international level was the highlight of my 18-year career.
I look forward to the end of all this money-making part of the career, to be truthful.
I never thought I would have any particular career in movies at all.
I'm patient when it comes to my career, which is unlike me, but there are no stars in my eyes.
As your career progresses, you hope that you get some more opportunity, or some more choice.
I'm sure some people have an absolute grasp of where they are in their careers. I just don't think about it that much.
I didn't have any career design. I was not thinking about publishing or doing a record. I was just working. I was evolving. I wanted to really comprehend what I was doing before stepping too far out.
There are tons of different reasons why you do TV series and why you don't, and how it'll affect your career, and all that. Without a doubt, it has always come down to the script for me. I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles.
An obsession might be a little strong a term, but it has now become one of the most significant aspects of my life, but most importantly of my career, because it has changed the public's perception of who Patrick Stewart is.
I got very lucky to work with Wes Craven, very early on in my career, and continued to work with Wes for almost 19 years. I learned so much from him, and about his sense of story and his sense of horror, and that was great to be a part of.
My whole career is just terror, from beginning to end. That's kind of my thing. A lot of happy accidents happened.
I'm obsessive about my job and I want it to be as great as it can possibly be, especially right now in these early parts of my career.
You're working so hard and so many hours, you simply don't get to visit with everybody when you're gone for five months. That's part of the trade in we make with this career. You don't get to maintain the intimacy you would like to.One of the big things I was doing was working on reestablishing that.
I am not the center of the universe. And it's a lesson that I keep having to learn; it's my ongoing work, I'd say. And being in a career that is predicated on a degree of self-absorption, that is a tricky thing to negotiate sometimes.
At some point in my career, I was thinking, "Why am I not a star? Why am I not Brad Pitt? Why am I not Tom Cruise?"
I feel that marrying younger and being quite a young dad helped me with the stability of my career.
I started my career off replacing Rita Moreno in a Broadway show.
