Character Quotes - Page 229

When I write now I do not invent situation, characters, or actions, but rather structures and discursive forms, textual groupings which are combined according to secret affinities among themselves, as in architecture or the plastic arts.

Character is expressed through our behavior patterns, or natural responses to things.

Equality is not a concept. It's not something we should be striving for. It's a necessity. Equality is like gravity, we need it to stand on this earth as men and women, and the misogyny that is in every culture is not a true part of the human condition. It is life out of balance and that imbalance is sucking something out of the soul of every man and woman who's confronted with it. We need Equality, and we kind of need it now. 'So why do you write these strong female characters?' Because you're still asking that question.

I am a huge fan of what Marvel has established. But when they first came to me, Thor and Captain America were not even close to being finished. I thought to myself, 'Okay, you have all these moving parts, but how can you possibly bring them together?' Iron Man, Hulk, Thor and Captain America don't seem like they could co-exist, and ultimately that is what intrigued me and made me think, 'This can be done and this should be done.' You can't put these characters in a movie together without a certain amount of humor. It's an inoculation against the unreality.

I write to be the characters that I am not.

It's only recently women got to be action heroes on TV. Progress is slow, and often non-existent. There's plenty of cool comics with female characters... But all it takes is one Catwoman to set the cause back a decade.

I love a straightforward character. I am the guy who loves Cyclops on the 'X-Men', because he is square.

'The Dark Knight,' for me, has the same problem that every other 'Batman' movie has. It's not about Batman. I think Heath Ledger is just phenomenal and the character of the Joker is beautifully written. He has a particular philosophy that he carries throughout the movie. He has one of the best bad guy schemes.

It is to Titian we must turn our eyes to find excellence with regard to color, and light and shade, in the highest degree. He was both the first and the greatest master of this art. By a few strokes he knew how to mark the general image and character of whatever object he attempted.

THE STORIES WE TELL fearlessly explores the textures of the human heart, finding a path toward hope through a Savannah that is jagged with class issues, faith misused, and broken trust. Henry loses you in a landscape peopled with secret keepers, storytellers and liars, and proves that in the end, love is the only reliable compass. This is everything you expect from Patti Callahan Henry—lyrical writing, characters worth rooting for, a sure-footed belief in the power of goodness—plus a twisty plot that will keep the pages turning long into the night.

I get to actually experience what it would be like to be a psycho, which is not a fun one, or to be a cowboy, or to be a weird character of some sort. For me, it suits me. It suits my personality. I'm an emotional kind of person anyway.

We're all on a journey. The average American switches professions four times. I'm lucky to be in a business where I can change the character I am playing every couple of months.

I like movies about people and movies with characters; that's what I'm drawn to as a person who likes to create these characters within the story, but I like it all, really.

True tragedy may be defined as a dramatic work in which the outward failure of the principal personage is compensated for by the dignity and greatness of his character.

The true test is, whether the object be of a local character, and local use; or, whether it be of general benefit to the states. If it be purely local, congress cannot constitutionally appropriate money for the object. But, if the benefit be general, it matters not, whether in point of locality it be in one state, or several; whether it be of large, or of small extent.

I did not know till now how irresolute a character was mine.

A man who shows no defect is a fool or a hypocrite, whom we should mistrust. There are defects so bound to fine qualities that they announce them,--defects which it is well not to correct.

Normally you read a screenplay - and I read a lot of them - and the characters don't feel like people. They feel like plot devices or cliches or stereotypes.

I suppose the longer anyone spends on earth, the closer we all get to becoming superfluous characters.

What about Mickey Mouse? Disney tried very hard to make him a star. But Mickey Mouse is more of a symbol than a real character.

Parents look at me like I'm somebody pretty important, and say, We were raised on your characters, and now we're enjoying them all over again with our children.

Persons in great stations have seldom their true character drawn till several years after their death. Their personal friendships and enmities must cease, and the parties they were engaged in be at an end, before their faults or their virtues can have justice done them. When writers have the least opportunities of knowing the truth, they are in the best disposition to tell it.

Vanity is the natural weakness of an ambitious man, which exposes him to the secret scorn and derision of those he converses with, and ruins the character he is so industrious to advance by it.

The end of a man's life is often compared to the winding up of a well written play, where the principal persons still act in character, whatever the fate in which they undergo.

I, for one, can't wait for this election to be over, because the curse of Donald Trump in a satirical comedy way is that, one, he's such a large character; it's hard to satirize at times. Two, he's sucking all the air out of every room he walks into so every attempt leads to covering only him. You can't turn a corner in New York City without people talking about Donald Trump, without talking about the same things about Donald Trump.