Character Quotes - Page 389

The man of frank and strong prejudices, far from being a political and social menace and an obstacle in the path of progress, is often a benign character and helpful citizen. The chance is far greater, furthermore, that he will be more creative than the man who can never come to more than a few gingerly held conclusions, or who thinks that all ideas should be received with equal hospitality. There is such a thing as being so broad you are flat.

The ultimate test of a nation's character is not how it responds to adversity in war but how it meets the challenge of peace.

Economic power is not the same as strength of national character. Our country may be rich in goods, but we are poor in spirit.

One is apt to think of moral failure as due to weakness of character: more often it is due to an inadequate ideal.

You can take the high moral ground intellectually, but if it ever happens to you personally, I don't know that I could honestly say that I wouldn't want to kill someone who took someone away from me. So, it's a rich, fertile ground for great characters and great storytelling. That was the impetus.

It wasn't the intention to do something important, or to even relate about social issues. The ground is so fertile in the justice world, dealing with the death penalty and the Innocence Project, for characters that have a moral ambiguity, which we were both attracted to. It's the idea that everybody has their reasons. Whatever their actions are, whether you agree with them or not, you can understand why they're feeling that way, in terms of racism or even the death penalty.

Remember to build each other up, to strengthen and sustain, to keep companionship lovely and alive. Remember dignity and respect; understanding; not expecting perfection; a sense of humor and a sense of what is sacred and serious; common purposes, common convictions, and the character to stay with a bargain, to keep a covenant - in these are the making of a good and solid marriage.

It is always more fun to play a bad guy than to be yourself as you can create a character unlike your own and be someone you are not for a change.

One of the characteristics of successful scientists is having courage.

I had a plot connection that nobody understood for this fourth character, and decided, Oh, nobody gets it, that's all. I'll write another draft to make her make sense. It took me awhile to learn that these three people were the core of this play, which seems so obvious now.

People are expecting me to be a certain way all the time. It's not like if I come in here with a totally different personality and right before the camera starts they see this new character. It confuses everything. Life has a consensus reality to it and if you use that to your advantage it makes it much easier.

There's really one character for every actor. The voyage is to find that one character.

By making choices consistent with eternal truth you will develop righteous character.

Understand and apply this vital principle to your life: Your exercise of faith builds character. Fortified character expands your capacity to exercise greater faith. Thus, your confidence in making correct decisions is enhanced. And the strengthening cycle continues. The more your character is fortified, the more enabled you are to exercise the power of faith for yet stronger character.

I'm not one of those people who as a writer lets my characters tell me what they want to do or call to me or seek me. I go seeking for things, using them as an agent, really.

A writer has to stand outside the page. It's not for the writer to shed tears onto the pages for these characters. It's not for him to suffer or to laugh or to experience ecstasy or agony in the manner of the characters on the pages.

Schneider's characters, like Kundera's, are sentient and sophisticated figures at a time when the constraints of Communist rule persist but its energy has entirely vanished.

It's quite a trick to use three instruments to tell the story of two people, but Vores carried it off; three, for once, is not a crowd. Each member of the trio gets important solos, but there is also a real ensemble character.

In my experience, it's usually up to the actor how a character is portrayed.

As a writer you see the big picture and how you can tell as one character, how your storyline is going to meet up with all these other storylines. And as an actor you're thinking of all the minutiae, all the very small details.

It's a real luxury to be able to develop with your character.

Sometimes you even start to sound like the character, because you're living and breathing them every day on the set. It gets into your bones, it becomes a part of you.

Look at the sky. It’s not dark and black and without character. The black is, in fact deep blue. And over there: lighter blue and blowing through the blues and blackness the winds swirling through the air and then shining, burning, bursting through: the stars! And you see how they roar their light. Everywhere we look, the complex magic of nature blazes before our eyes.

I never like to judge the character. I just have to leave my feelings of pity, or fear, about a character - whatever I feel towards the character, I try to leave to one side. It's good to have them, but it doesn't help me. I can't act those things. I just to play the character as truthfully as I can.

When I was a Hollywood press agent, I learned how the Hollywood casting system worked. There was a roster of actors who were always perfect as doctors or lawyers or laborers, and the directors just picked the types they needed and stuffed them into film after film. I do the same [with my characters], book after book.