Character Quotes - Page 445

I frustrate myself as a writer. There are certain things that I'll think, 'Well, that would be really fun to play... if somebody else was playing this character.'

I thought about ["Summer Sisters" ] so often as I was writing about these female characters who love each other and hated each other and were sort of in love with each other.

It was only when I started making short films in college and I was looking for girls to play the me-ish parts that I thought, Well, maybe I'm just going to try doing this myself before somebody else comes in and handles it. For a long time my acting was just a marriage of convenience between me and these characters that I was writing.

When I started doing television, I thought that I would change the way that I shot, the way that I blocked, and the technical side of it. You're not going to change your relationship with the actors or how you approach the characters. That wasn't any different.

I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.

I'm pretty much of the Shakespearean school. Dialogue is character. How we speak is who we are.

The way people respond to struggles or express their feelings in difficult situations are very different. I like imagining how characters would react in certain situations.

I would say that playing this character has caused me to think about a lot of things. He's always questioning himself and trying to get back to something he lost touch with and trying to find forgiveness. Everybody struggles with these things to some extent in their life.

What it made me realize was that a show like this makes people look inside themselves. Because this crew guy isn't sitting there wishing the character would fight back. He's hoping that he would fight back.

To be honest, I didn't want to believe that Christianity could radically transform someone's character and values. It was much easier to raise doubts and manufacture outrageous objections that to consider the possibility that God actually could trigger a revolutionary turn-around in such a depraved and degenerate life.

It's always tense when you move a character from a book to the screen. Always tense.

What I enjoy most are those times when I get an idea and it just flows - the words coming so fast that I'm scribbling to keep up with my characters. I don't have any writing must-haves; this is a good thing, since I've done a lot of my writing in random places like the playground or the subway.

The character is important, of course, but I like when there's intelligence in a movie. I like when it's, how do you say, sensible. So for me a film is very subjective, and it's a point of view. I like to be brought into a world of a director.

I'm a big fan of 'Star Wars.' Some of the most iconic characters of 'Star Wars,' we didn't see their faces but to this day you can say Jabba the Hutt or Darth Vader and people know what you mean around the world.

There is a little bit of me infused in every character I play.

It's not success that makes a person's life worthy of legend. It's provocative defeat, someone who struggled mightily and lost. And that loss can't just be gratuitous - there has to be something about his or her character that whittles that loss into something provocative.

The question is: Will Trump's ego allow him to reconsider any negative moves that he now might have in mind? Such reconsideration is really out of character for him.

I feel like I've finally got to this place that I really want to be. The place where, in my fantasy, the characters just get up and walk around - this interstitial place between humans and dolls. But I also feel like, where am I supposed to go from here? Because this feels like the place I've always wanted to be, for my whole life of shooting.

I like to play a wide range of characters. The more they're unlike me, the better I like it.

To me, feminism in literature deals with the female characters being in some way central to the thematic concerns of the book, or that they are agents of change to some degree. In other words, the lens is focused deeply and intensely on the female characters and doesn't waver, which allows for a glimpse into the rich inner lives of the characters.

I don't mind being called a "feminist," as I certainly embrace the tenets of feminism, though it does feel a little sad to me that we need to call a novel "feminist" simply because the female characters are interesting and strong.

In writing, as in life, always be true to your character.

Beautiful women seldom want to act. They are afraid of emotion and they do not try to extract anything from a character that they are portraying, because in expressing emotion they may encourage crow's feet and laughing wrinkles. They avoid anything that will disturb their placidity of countenance, for placidity of countenance insures a smooth skin.

The truth and regularity of a character is not, in justice, to be looked upon as broken, from any one single act or omission which may seem a contradiction to it:Mthe best of men appear sometimes to be strange compounds of contradictory qualities.

Surely, 'tis one step towards acting well, to think worthily of our nature; and as in common life, the way to make a man honest, is, to suppose him soso here, to set some value upon ourselves, enables us to support the characterof generosity and virtue.