Choices Quotes - Page 94

My choices were never wrong.

My lens of choice was always the 35 mm. It was more environmental. You can't come in closer with the 35 mm.

Artists have no choice but to express their lives. They have only, and that not always, a choice of process. This process does not change the essential content of their work in art, which can only be their life.

You have no choice but to operate in a world shaped by globalization and the information revolution. There are two options: adapt or die.

I've had my moments of insanity. But there is a certain responsibility to set proper examples for your children, and that influences your choices in every aspect of your life.

Sometimes I think I don't have much choice in the matter. It's just what happens, and I'm following my instincts the whole time.

We don't want to be afraid to make a choice because we're afraid to make a mistake because most decisions aren't final. Feelings change all the time. You can always change your mind and taking risks and making choices is what makes life so exciting because we never know what's going to happen. Every day something new comes our way.

Choices are powerful things. In fact, they're more powerful than most things.

When the choice is between a demanding relationship and a vintage pickup truck, I'll choose the truck every time.

I left Delhi, in 1971, shortly after Collective Choice and Social Welfare was published in 1970.

I guess what I'm trying to say is that you can't live somebody else's life for them. They have to make their own choices, and sometimes all we can do is learn to live with them.

The only thing that might have annoyed some mathematicians was the presumption of assuming that maybe the axiom of choice could fail, and that we should look into contrary assumptions.

I thought I had to be perfect. I would often make choices I thought would make everyone else happy. I lived at a pace that was "good for my career," whether it was good for me or not. I have learned how important it is to check in with myself and listen, really listen.

I'd rather believe in my own choice and see it all go wrong than do something I'm not fully convinced of and later feel guilty about it.

There has been much talk referencing what I consider conceptual reports like the Landscape of Choice and documents created as a result of the Great Valley Center.

Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.

I have many projects in various states of development. Some are on paper and some are in my head. But as I go on, I feel the need to be guided in my choices.

The Bible unites its interpreters as a shared focus of attention, but it does not demand consensus. On the contrary, it invites and prods us to make responsible choices, to take responsibility for the choices that we have made... It was always like that, and our holy scripture grows over the centuries, gets thicker and thicker, with more texts around, which need/have to be looked into, referred to, considered.

If I had my choice in life I would have had the gifts of Tennessee Williams or Eugene O'Neill. Unfortunately my gifts lie in comedy and so comedy comes fairly easy to me and I occasionally have an idea for a very serious piece and I do it, but the ideas don't come that readily to me.

It would be so easy to lose the plot now. It's not about achieving something for its own sake, and taking pictures for their own sake. But to make conscious decisions and choices, and it includes this constant questioning - Why am I taking pictures? Because really, the world is... it has pictures enough. I mean, there are enough pictures out there.

Is a decision made in advance really any kind of choice?

Writers can write to affirm and to celebrate, or they can write to debunk and destroy; the choice is ours.

Persons are oftentimes misled in regard to their choice of dress by attending to the beauty of colors, rather than selecting such colors as may increase their own beauty.

And therefore is love said to be a child, Because in choice he is so oft beguil'd

Affection faints not like a pale-faced coward, But then woos best when most his choice is froward.