I was doing that [a collaboration with Kurt Cobain] to try to save his life. The collaboration was me calling up as an excuse to reach out to this guy. He was in a really bad place.
There are bound to be differences in any artistic collaboration with landscape elements, or theater, of lighting elements.
My collaborations have to be very positive. I will never work with a person I fight with.
Directing is a terrible, anxious process. It's all collaboration, and if you have a dream, it's diluted very quickly by the slightest ineptness in any of your collaborators. They're supposed to help you, but too often they help you into your grave.
I'm an investor in MakerBot, which is a good example of the 'thingiverse'. The idea of applying collaboration and rapid iteration to things that we interact with and hold in our hands everyday is super revolutionary.
An interviewer once asked me to discuss my collaboration with Elmer Bernstein, and precisely why I chose to work with him. My first thought was: How could I not work with Elmer, when I had the chance? Simply put, he's the best there is-the very best.
It’s often overlooked. It’s labor. That’s at the heart of # collaboration .
Once I accuse you of racist, I have demonized you, and it means any future collaboration, cooperation between us is a sign of my moral deficiency, if I would deal with someone like that. It's a terrible thing to do.
It's always a good collaboration between the actor and the writer and the director to try stuff out, during the process.
Communication accompanies social transactions and can instruct or stultify, mobilize or intimidate, but it is no substitute for production, collaboration and fight.
I want to collaborate with me 'cause I've done so many collaborations that after a certain point unless you're really working with a certain caliber of an artist, there's no point [to collaborate].
I don't necessarily love all the collaborations that I've done; the more I work with other people, the more I realize that I want to work with myself.
Film is a collection of many mediums and collaboration and you're only as strong as the people you're working with - and everybody owns their mediums.
I came up with the "We are explorers," with sort of a counter-melody to [Opetaia Foa'i] melody. And so, it happened so organically, that it really, to me, is the most emblematic of our collaboration.
I found it a really refreshing change of pace to suddenly be completely directed. It was a type of collaboration that I don't normally have.
I don't know if it'd be any time soon but I'd really like to work on a collaboration with somebody - I always have ideas for stuff like that.
Collaboration. ... For me, it has informed every move I've ever made. And it saved me in many ways and still does. When things get hard, you can cling to the work.
In a collaboration, each author will do 75% of the work.
I've done collaborations with Scott [Morgan, aka Loscil] in the past, but it is something that kind of appeals to me these days.
That brings me to Dennis Ritchie. Our collaboration has been a thing of beauty.
I love doing collaborations - it's always good to do something that's out the box.
Collaboration gets me excited.
Schinkel's aesthetic was not a crudely materialistic "truth to material" affair... but rather an attempt to inform iron and other industrial materials with an appropriate beauty through the direct collaboration of the artist in the manufacturing process.
I think we have to fight the idea - that I think a lot of us have internalized - that it is difficult to work with other women. We really need to embrace collaboration with other women. We need to seek out other women to promote.
I have been getting offers from international artistes for collaboration all across the globe, but I prefer to work with Indian artistes.