When you are living with the exhortation or live-with "Be in the World But Not of It," you experience your connection with all and the possibility of co-creativity and collaboration with those around you. You see an oneness in the world as opposed to warfare, even with those who are your enemies. You are not of the world of conflict, even though you have the strength to deal with it and turn it around. You have compassion in the sense of seeing the highest in yourself and then seeing that in others.
To the extent that the scientist's capacity for pursuing the truth depends upon costly apparatus, institutional collaboration and heavy capital investment by government or industry he is no longer his own master.
Reading is, at its best, not an escape; it is genuine experience. A novel is not a monologue, but a conversation, a collaboration between writer and reader, an invaluable exchange of human conditions.
Collaboration - the ultimate intertwining of skills, passions, and knowledge - is what concocts the most shatterproof forms of changemaking.
The relationship with actor and director is probably closer to theater, in that, when we record the dialogue, there is very little in the way of the creative collaboration - no cameras, lighting or even locations. Then, once we record, the post process is very similar to the post flow in filmmaking - editing, sound design, mixing, etc. At the end of the day, it's all about storytelling and honing in on a tone by developing a rhythm and structure that suits the storytelling.
Barry Manilow was very special for me. We've had many collaborations since then and all have been equally rewarding and musical. I've learned so much from him. I like being a student around him; observing him in his environment.
I suppose I'm the only person who remembers one of the most exciting of his ballets-it's the fruit of an unlikely collaboration between Nijinsky on the one hand and Sir Arthur Conan Doyle on the other.
What happens is that the experience of writers working together and the idea of creative collaboration is so delightful, but it has been relegated to TV.
I really like the collaboration of doing movies and television. But I like the sort of solitary work of doing music.
I'm not interested so much in collaboration. You see that from the history of my albums.
Have different people in your fold. Have cross-disciplinary collaborations.
Collaboration is such a thrill when you're working with someone you really respect. When it's just one person working alone you get a singular view of their world, and that can be great, too. But when you have different people working together with different aesthetics, different techniques, and different mediums, you get something bigger than both of them.
Recognize and respect mutual self-interests, then build creative collaborations to serve them.
I've worked with actors before where I was like, this is not working, and then I've seen their work on the screen and I've been like, Wow, that was a really great performance. Because there are a lot of elements with film. It's not like stage. It's not a kind of performance art anymore; it's a highly tuned kind of collaboration - a symphony.
It's real difficult to pin down directions. I just want to do collaboration-tape stuff.
In the end all collaborations are love stories.
I always find that the best collaborations are when you work with people that know what they're doing, and you leave them alone to do it.
Life is a collaboration, it's not a solo act.
The whole thing of working in collaboration with filmmakers is the thing that I love the most, and possibly the thing I do the best.
The work is different in the sense that I haven't had to travel round the world raising money, or work from the genesis of the project. But the collaboration feels clear always, it's sort of my drug, I'm in it for the conversation. The conversation's the most important part of it.
Schiaparelli’s collaborations with Dali and Cocteau as well as Prada’s Fondazione Prada push art and fashion ever closer, in a direct, synergistic, and culturally redefining relationship.
Several technological and political forces have converged, and that has produced a global, Web-enabled playing field that allows for multiple forms of collaboration without regard to geography or distance - or soon, even language.
I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
I don't really have a dream collaboration.
I still haven't quite gauged the effects of featuring designers on my blog and on Dazed. I can only rely on what people feed back to me ... the effects are positive though - designers picking up more buyers, entering into new collaborations, getting more orders.... it's all really, really encouraging.
