Norway is much more than just oil. We have a rapidly growing fish sector, a high-tech metal and aluminium industry, abundant access to green hydropower with all the opportunities that provides, an educated workforce, and an incredibly potent welfare system where people are allowed to contribute with what they have and what they know. And if that is not enough, our potential has perhaps even been limited by the oil sector draining all the intellectual and creative talent.
We will be looking at things like the confluence of a scene, and we still have all these creative decisions to make. In general, we're going to just try to make these under a half-hour. We're going to try to take that kind of cable TV comedy model.
The more constraints I have, the more opportunities I have to be creative to fix those constraints.
I think it's a big part of being a creative person.
I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, "What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character?" They really were a creative partner.
Thanks to the critics and thanks to the Emmys, we got all sorts of great reviews and notices and awards, at the start. Part of it is that it's great fortune to have something to live up to, but as creative people, we all have to just put that aside and go forward, make the best product we can, have as joyous of an experience as we can, and really remember that the spirit of this was to surprise the fans with something that they didn't see coming.
It’s a lovely adaptation that honors Lois Lowry’s vision and authority…the film…illuminates and explores the beauty, danger and pain of our free, creative lives. Plenty to talk about in families and other communities. Go see it.
I guess, I ended up finding music to pour my curiosity into. It was my creative outlet and therapy at the same time.
I have done literary translation because the University of Arkansas, where I did my MFA, was program of creative writing and translation, and it's a very different experience. You're trying to honor the writer. You shouldn't allow yourself, for example, to encounter a sentence that's three lines long and break it up into four smaller sentences.
Why did I not stop to have children? I suppose because the opportunity didn't present itself. Yes, many women feel they are not complete without having children, but I have different creative outlets.
I'm always the kind of friend or girlfriend who suggests, when there's some cataclysmic problem in the relationship, I'm like, "Well, maybe we can come up with a creative activity that will help us out." I'm like, "Let's get out the pens! Draw a picture of how much you hate me!"
Directing is exhausting, but not for the actual directing part, when you say "Action!" and give creative notes. As a director, the exhausting part is that you are a professional answer-machine.
The wide open nature of any truly creative artistic endeavor is one of its most important virtues, and one of its harshest realities. Only the most determined, hardest working, capable and creative will make their way to earning a good living by their art.
For me, the creative process for me always starts in a personal place. I step away from my iPod or any records or CDs.
Creative work is one of life's greatest pleasures, and the only one we will gladly interrupt.
I started producing out of necessity. It's not that I want to become a full time producer, but it gives me control over my creative life.
I think the tools were always available, for decades and decades, to make your own film and be creative. I don't think people had to wait for YouTube to do this type of small project. YouTube, I think it's great. I have this idiotic satisfaction. And I think there's a bit of that in YouTube. You share, true, but it's centralized, and it's already sort of controlled. I'm more for something that's not a centralized medium. Like doing your own film and screening it yourself. You cannot control people doing that.
We have to be realistic about the brutal demands a money culture puts on the psyche, and there is a great cost to this in terms of creativity. Look at the state of people at 65. How many of them become creative after having to survive in the money culture?
One of the good things is the relationship between director and editor used to be more contentious. Studios used to leave directors alone more during the post production process and now they're clamoring to get in. So, the director and the editor end up teaming up sort of against the studio to fight what they're doing and you lose the creative tension that you used to have between an editor and a director.
Ralph Ellison is a classic work of erudition, grace, and elegance. Rampersad offers us an Ellison whose gifts and warts orbit the same universe of creative genius. Like Ellison's work, Rampersad's text wrestles eloquently with difficult truths about race, politics, and American life.
The only thing that gives [new technology] purpose is the kind of creative content we all produce.
Human intelligence was more trouble than it was worth. It was more destructive than creative, more confusing than revealing, more discouraging than satisfying, more spiteful than charitable.
If you were really interested in being creative in teaching, it was possible to try new methods and that was really what we did in Goldsmiths - we used the freedom of the time.
I would say Colin Jost is Kanye West because he takes like the creative risk a lot of times, whereas I'm like, "Uh, I don't know..."
For you to make your creative work creative, you must seek creativity from the creator.
