Cutting Quotes - Page 177

I have a record as governor. I have a record of cutting spending. And I talked yesterday not only about we ought to cut spending, I talked about how we've cut spending in Mississippi and how if you did the same things in the federal government, you would save tens of billions of dollars a year.

Silent is about needing to make a scene shorter by having physical things to cut to. That way, you can manipulate a character to the other side of the room. But, if they say the wrong thing, it might locate that action in a particular part of the scene. It's a mechanical need.

A lot of times, I relied on connections through my agency, just for financing and things like that. Even when I'm looking for a million and a half dollars to do a small film, there can always be hold-ups, because it's a large amount of money for some people, and it's a small amount of money for other people. In any case, it's significant enough to where you have to jump through a lot of hoops to get it to happen. Sometimes, the people who are helping you can drop the ball. And, of course, the reason agents want you to do bigger projects is that they make a bigger cut.

As a first-time director, you cannot have final cut. But as a producer, you can have final cut.

I don't think Republicans will be fooled into taking this necessary spending and using it to oppose pro-growth tax cuts, using this tragedy and those deaths for his own political desires.

Well, certainly the Democrats have been arguing to raise the capital gains tax on all Americans. Obama says he wants to do that. That would slow down economic growth. It's not necessarily helpful to the economy. Every time we've cut the capital gains tax, the economy has grown. Whenever we raise the capital gains tax, it's been damaged.

But at the same time, never having final cut before, I really learned an interesting thing for any studio executive who is reading this: that if a director has final cut, it's actually easier and more interesting to listen to notes.

Using the energy in a scene can really cut the fat off of something and streamline it. It can make it work for you and activate it for you in a way.

Jeff Carver is a hard sf writer who gets it right-his science and his people are equally convincing. NEPTUNE CROSSING combines his strengths, from a chilling look at alien machine intelligence, to cutting-edge chaos theory, to the pangs of finite humans in the face of the infinite. If you like intriguing ideas delivered in an exciting plot, this is your meat.

If you cut taxes on the rich, they'll get so excited and go into so much busy economic activity, that the economy will grow and your tax revenues will actually rise. So cut taxes, collect more taxes. It is a miracle.

And I ask him why he cuts his arms with a razor. "Just fo feel. Just to feel something.

For my money, if I'm playing anything then it has to have some sharp angles on it. It's got to have some edges that you can cut yourself on, otherwise it's boring.

My home kitchen is airy, with a gas stove, a stainless-steel island table in the center and granite countertops. It's very modest but there's tons of counter space, so you can slap down three or four cutting boards.

What an unbearable creature he must have been in those days--and yet in those days he had been comparatively innocent. That was another mystery: it sometimes seemed to him that venial sins--impatience, an unimportant lie, pride, a neglected opportunity--cut you off from grace more completely than the worst sins of all. Then, in his innocence, he had felt no love for anyone; now in his corruption he had learnt.

Come to me and show me a small cancer and I'll tell you you've got a small cancer that should be cut out. That's realism but in America it's called cynicism.

I was a naturally aggressive left-back, a cut-throat tackler.

The normal way of gathering information is through sound: when you hear information that you want to gather, you look in its direction, you see what it is, if you choose you can get closer, you can see it, you can touch, and then, finally, the most committed form of data gathering is to taste it and eat it. But for the urbanite, we're cut off from our primary sense, and I want to stress that - our primary sense of gathering information about the place that we're living in - and instead, we're in a war zone.

With that being said, you are a Democrat. You are saying, "Let's cut and run." And I have to tell you, I have been nervous about this interview with you, because what I feel like saying is, "Sir, prove to me that you are not working with our enemies." And I know you're not. I'm not accusing you of being an enemy, but that's the way I feel, and I think a lot of Americans will feel that way.

Evil is relative…You can’t hang a sign on it. You can’t touch it or taste it or cut it with a sword. Evil depends on where you are standing, pointing your indicting finger.

I hear something I like, and sometimes, I think it's gonna work, and I will cut it up, try it out, try to work with other material. Sometimes, it falls flat, and other times, it works out, so in that way, I'm constantly listening to music because I enjoy it.

Something that distinguishes my solo work from normal rap production is that it has a lot of melody - it's not just cutting up a song and having someone rap over it.

I'm interested in anyone cutting up music and doing remixes. I just don't think it would work in a live setting right now to do shows with a traditional DJ, but it's something that might happen eventually.

My favorite cut is probably "Drink of Choice," and it was done by Bryan Michael Cox, it's a metaphorical type song, about a woman being a drink. I'll let your mind wander with that one.

As an actor, you are sort of only in charge of yourself. All you can really control is your performance. You don't know what they're going to do with it in the editing room, what they're going to cut out, which take they're going to use. You know, your control is very limited. As a director, it's ultimately your piece. You have a lot more responsibility, but you also have a lot more creative control. It's scary, but also liberating in a way.

For those who need a name, there's a gift basket of medical terms. All I know is cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured.