Different Quotes - Page 193

You know what's funny about movies? You can watch one, and then you watch it again at a different stage in your life, and you understand different messages from the same film.

Now, I had been frightened on several different occasions in my life. The most frightening of these involved an elevator and a mime.

I'm obsessed with five different things a day. It's like lightbulbs in a Christmas light chain.

So many girls have become famous for literally nothing - other than falling out of clubs in shocking clothing or going out with a different person every week.

I don't feel any different than I did when I was 40. But I realize mathematically, I'm equidistant between that and 80. I'll keep doing this for a while, but I'm not going to be one of these people who hang on just for the sake of being on the air.

I'm a line-maker. I think that's what makes poets different from prose-writers. That's the main way. We think, not just in sentences the way prose writers do but also in lines. So we're doing these two things at the same time.

Software is inherently complicated. If you say to somebody I want an airline reservation system, to really say what you want in terms of overbooking and fares, and different airlines communicating with each or schedule changes, it's immensely complex. And so you can't write a program that's any simpler than that full specification.

Our stories are different; our pain is the same.

Creativity is just learning to do something with a different perspective.

When I pull out vinyl - which isn't that often anymore - it's undeniable that I get a different feeling. There's a different physiology happening between the sound waves and the body that doesn't happen with music playing off the computer.

Just throw me in a time machine, hit random, and wherever I land would be great... Just being thrown into a different time really fascinates me.

Each path to knowledge involves different rules and these rules are not interchangeable.

Poetry is poetry. My process is I try to write the best poem I can, in the best way to communicate whatever it is the poem is trying to communicate, and then I try to figure out the best way to present that poem to a live audience. It's all craft, just different stages of craft.

My theory is, independent movies only work if you're willing to push the material and do something different.

In the '60s when I started to see everything I could see, you could see pretty much everything which was still available from the '30s, '40s, '50s, '60s, and therefore I had an education which was really large and vast in different cinema. That's probably the reason I did not fall for the New Wave. It's really the love of the movies that made me want to become a cameraperson, definitely. I was really a film buff.

You know what, maybe I just want a different kind of life. Maybe I want to open an antique store and coffee shop, and have a different kind of life.

I love the U.K. It's so different over there from America, you know, the culture and stuff. It's pretty awesome.

If I do enough different things in enough different ways, I may, eventually, do something right.

We need to continue to strive to tell these different stories.”

It is very difficult to follow your own method all the time because you may crash against some directors who want from you something different. Trying to understand the material, who you're working with, and how can you fit in there. That is my approach.

When you work in a different language you are not so attached to the words.

You are right in demanding that an artist should take an intelligent attitude to his work, but you confuse two things: solving a problem and stating a problem correctly.

We're all different. Some people are musicians, some people are actors, some people are agents and some people are accountants... We're all different.

If this were a different time, a different place, I would take you to bed with me and make love to you for days.

I've told the same story twelve different ways, but I think that's just part of what writers do. Once may not be enough.