Different Quotes - Page 196

I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style. I have worked on big movies and small movies and network TV. I have had amazing experiences in each environment, and awful ones - more good than bad, though.

The biggest thing politically within fashion is that the clothing should be displayed on different body shapes.

I'd been collecting different ethnic instruments here and there, and then I started making little bell type stuff, looking for weird little sound toys.

I've been lucky enough to get a taste of the feature film world, the TV world and Broadway, as well, and see what everything is like. For me, it's very much about the character and how different it is from something I've done earlier.

Getting global innovation projects right is really important as they create competitive advantage two ways. When the knowledge for an innovation is from different sites around the world, it's very much more difficult for competitors to copy these innovation - they'd have to access the same knowledge from the same places. Secondly, costs and time to market can be significantly reduced leading to first mover advantage through parallel development in global projects.

Companies tend not to recognize that the way global projects have to be organized and run is fundamentally different from how co-located projects are managed. Everything is different in global projects from the need for organizational stability, a shared strategic context driving the project, the building of a competence in dispersed working, greater focus on planning the project to the need for trust between sites. Yet, most firms merely transfer their co-located best practice to a global arena. This will inevitably result in problems, delays and cost overruns.

I think top scientists need to be compensated at a different scale in society. Somebody with experience will tell you that true scientists are not motivated by money - they are motivated by the quest itself. That is true. But I think an additional recognition will not hurt.

I've worked with a lot of different producers, a lot of different writers on the album, so I mostly feel like I learned a lot about what I don't want to do the next time around.

World music is about taking things from different places and bringing them together - which is great.

What we consider to be different depends on what we consider to be the norm.

I don't want to release things too similar to each other. I've been working on selecting something different from my other work.

It's true that there are younger people making films, and there are different kinds of films. This has created some attention in what's coming out of Greece, and people like to find a way to name this new ethnic cinema. It's not like there's a movement, or a common philosophy in making these films. They're just things that happened, and now people are paying attention to it.

Beatles was 20th-century folksong in the framework of capitalism; they couldn't do anything different if they wanted to communicate within that framework.

I just like to explore all sorts of different forms - no, 'explore' is not even the word - enjoy. You don't want to limit yourself to a particular form.

My heart is mysteriously alive in the world of sounds - a totally different dimension from the daily life.

As a musician I'm kind of nomadic, Waldo-like. I show up in different places, and I'm witness to unbelievable things.

I never thought I'd end up as a computer freak, but that's how the cookie crumbles. I do spend a lot of my time on the Internet, and often check out the different E-zines on the web, especially if something Iron Savior related is going down.

To work with Richard [Ayoade] is my favourite thing in the world. He is my favourite person. So, it was great for me to be involved in a project that was, again, so different and with such wonderful actors. Everyone from Submarine is in the film in one way or another, which helps because it really does feel like a family.

I'm someone who is quite uncomfortable if something is different. I like doing things I'm used to in everyday life. So, I always try to push myself outside of that when looking for roles, otherwise I would never do anything different.

I had a very short time on that film [The Possibilities Are Endless] and it was quite strange because the process was kind of like a documentary, which was different for me. The way everything was filmed was very casual.

I'm actually quite different when I'm there [ in the university] to how I am on a TV or film set. It's very challenging and I really, really like it. And I enjoy being in that environment.

For me, an aerial picture is no different than a close-up portrait. It's a question of framing and angle. Helicopters are great for that. But I've also used planes. Of course, I always have a harness.

You can do a million different funks from a million different people and you'll never get anything exactly alike - that's what's so beautiful about it.

There's no correlation between what the public likes and what I'm after. I'm in a different world.

There are different kinds of artists and very often, I'll be very frank with you, I wish I were a different kind.