Drama Quotes - Page 19

I have my ideas of what a good documentary is, but drama is a different animal because you're arranging everything.

Writers are voracious readers. Once I unlocked the mystery of the alphabet that led to words, a multitude of words connecting me to the world, there was no stopping me. Everything was fair game, from Louisa May Alcott to my older cousin's True Romance Magazines, from Lewis Carroll to the backs of cereal boxes. All of this fed me, but it took certain books to make me grow. I don't want to work without a sense of drama, without passion, or without both eyes open to the world around me.

I find it hard to act unprofessionally because I can't do drama at school, it's hard for me to do drama out of school, I don't have time any more. I dance as well. I don't have time to work and dance and still have a good social life. I miss that security but I'm hoping that this is a good time for me. I'm trying to do as much as possible to get myself out there and hopefully it will work out.

the recurrent drama of menstrual bleeding must have been unnerving to primitive peoples. In man, the shedding of blood is always associated with injury, disease, or death. Only the female half of humanity was seen to have the magical ability to bleed profusely and still rise phoenix-like each month from the gore.

A lot of the distinctions that we make between drama and documentary are spurious. We're deeply confused about these issues. About the difference between the two, about where documentary ends and drama begins.

Each suicidal drama occurs in the mind of a unique individual.

Tragedy turns into comedy when you watch your own drama and realizing it as a mind-created fiction designed to create you a sense of identity.

The audience wants to be attracted not by the critics, but by a great story. You must deliver to the audience emotion - and when I say emotion, I mean suspense, drama, love.

To be what is called happy, one should have (1) something to live on, (2) something to live for, (3) something to die for. The lack of one of these results in drama. The lack of two results in tragedy.

Laugh now, cry later: this is the karma. Hip-hop never died, it's just sick of the drama.

My old drama coach used to say, 'Don't just do something, stand there.' Gary Cooper wasn't afraid to do nothing.

For me, drama is conflict.

I can imagine no man who will look with more horror on the End than a conscientious revolutionary who has, in a sense sincerely, been justifying cruelties and injustices inflicted on millions of his contemporaries by the benefits which he hopes to confer on future generations: generations who, as one terrible moment now reveals to him, were never going to exist. Then he will see the massacres, the faked trials, the deportations, to be all ineffaceably real, an essential part, his part, in the drama that has just ended: while the future Utopia had never been anything but a fantasy.

Opera is music AND drama. I'm prepared to sacrifice the beautiful note for the meaningful sound any time... I can make a pretty tone as well as anyone, but there are times when the drama of a scene demands the opposite of a pretty sound.

Life is like a recycling center, where all the concerns and dramas of humankind get recycled back and forth across the universe. But what you have to offer is your own sensibility, maybe your own sense of humor or insider pathos or meaning. All of us can sing the same song, and there will still be four billion different renditions.

I think the biggest faults that bands tend to have in terms of drama or breaking up is bands don't learn people's personalities. When you spend as much time with people obviously it's going to rub off, and you are going to get to know the way people are. You can make sure day to day people are accommodated to and people feel positive about the experience, then you can stay together as a band, at least that is my opinion.

Drama is anticipation mingled with uncertainty.

I'd been gearing up to working in theatre since coming out of drama school, but it was an exciting time for TV drama - it was the birth of Channel 4, and Brookside was very cutting-edge at the time.

To captivate our varied and worldwide audience of all ages, the nature and treatment of the fairy tale, the legend, the myth have to be elementary, simple. Good and evil, the antagonists of all great drama in some guise, must be believably personalized. The moral ideals common to all humanity must be upheld. The victories must not be too easy. Strife to test valor is still and will always be the basic ingredient of the animated tale, as of all screen entertainments.

The great writers like Chekhov know that tragedy and laughter are just a few steps from each other ... but it took me a long time as an actress to learn that. Actually Arthur Miller taught me in the Seventies. We were making a CBS TV drama of his play Playing for Time about Auschwitz but the characters were laughing. It was a big insight for me to realise that that was what's called gallows humour, in this case worse than the gallows, that humans need to laugh and make jokes in order to survive.

The Steinway piano - with its beauty and power - is the perfect medium for expressing the performer's art, drama and poetry.

Symbols are nothing but the natural speech of drama.

If you take a deep breath and look around, 'Look what's happening to me!' can become 'Look what's happening!' And what's happening? The incredible drama of life is happening. And we're in it!

There is no limit to childishness, if a person starts attacking the other one, they just strike back. Your weak point? Secret? They won't avoid it, and instead try to hurt you with it. So the reason you're fighting is totally lost. They'll just start thinking about how to hurt the other person most, so much that they'll cry out in pain.

I've always loved drama. This is a blessing because I can show a little bit of what I can do, and hopefully more, in the future.