Drama Quotes - Page 93

I dreamt of becoming a ballet dancer. I studied with the Royal Academy of London for 11 years, and that did not pan out, but my love for being on stage was born there. And then, I actually went to drama school in Paris, France. That's where it first started.

I really feel like the first day I went to drama school and I went up on stage, that I found my vocation. It's kind of a cliched thing to say but I really feel like it was what I was meant to do.

I consider myself a 'local' actor in France. I started out in France, I went to drama school in France and the French film community was very welcoming to me when I was a young actress.

In rare moments of deep play, we can lay aside our sense of self, shed time's continuum, ignore pain, and sit quietly in the absolute present, watching the world's ordinary miracles. No mind or heart hobbles. No analyzing or explaining. No questing for logic. No promises. No goals. No relationships. No worry. One is completely open to whatever drama may unfold.

Life is replete with comedy, drama, horror, suspense, tragedy, romance, mystery, fantasy and a good dose of fiction. While at times the plot may seem to be lacking, the special effects alone are well worth the price of admission.

There's no way around it, drama is very difficult to shoot. It's very heavy and something that you carry with you for the course of the day.

I guess you get pigeon-holed in Hollywood, but I'm ok with that because I've been able to do a lot. I started in the theater, then I went to stand-up comedy, and then when I went into the movies to do comedy and drama and big movies and small movies.

You couldn't hope to make a drama and have people rewriting on the day and having the actors making suggestions, "Wouldn't it be funny if my character did this?" "No. You're the actor. I'll tell you what to do."

There is no dramatic difference in happiness on the part of people who are wealthy.

It took me years to figure out that upset was upset, and tumultuousness was not the same thing as passion. Love isn't drama.

Well, I was a drama kid.

My programme, The Art of Creative Expression, empowers young people with tools to express themselves. We teach photography, art and drama, but it's not just the medium that's important, it's about what you are trying to say.

I know what it's like to struggle for cash. When I went to drama school, I worked as a chambermaid to make ends meet.

In an ideal world, I'd bounce between big projects and no-budget TV dramas with fantastic scripts.

Sex work is a completely unregulated industry and to make the affront even worse, the product and the labourers are the same thing! The product is the sexuality of the actual labourers: flesh. I think in that sense, the exploitative nature of unencumbered capitalism is made even more dramatic.

You can't make a good show based on pure verisimilitude, pure anti-drama. But you have to acknowledge a lot of ordinary life. Most TV doesn't do that.

I know I had my equivalents in Adrian Lester and Lenny James when I was at drama school. I remember David Harewood doing 'Othello' at the National, and Adrian Lester having done Cheek by Jowl's famous 'As You Like It and Company' at the Donmar. Not necessarily performances I saw, but just the fact they happened was massively encouraging.

One of the things the BBC does better than anyone is period drama.

Getting to do what I think was my fifth BBC drama with Nikki Amuka-Bird - we've done 'Shoot The Messenger,' 'Five Days,' 'The No. 1 Ladies' Detective Agency,' 'Born Equal' and now 'Small Island' - was another highlight for me. And filming in Jamaica was great, too.

It's hard to overestimate the teenage appetite for high drama.

Any claim to actual identification as a drama must rest upon the construction of a plot independent of the assignment of affliction to the protagonist.

Every reiteration of the idea that _nothing matters_ debases the human spirit. Every reiteration of the idea that there is no drama in modern life, there is only dramatization, that there is no tragedy, there is only unexplained misfortune, debases us. It denies what we know to be true. In denying what we know, we are as a nation which cannot remember its dreams--like an unhappy person who cannot remember his dreams and so denies that he does dream, and denies that there are such things as dreams.

IF YOU PRETEND THE CHARACTERS CANT SPEAK, AND WRITE A SILENT MOVIE, YOU WILL BE WRITING GREAT DRAMA.

I don't have anything that dramatic as far as a performance goes. I've never participated in a show that ended in a fight in my memory.

Every movement of the theater by a skilful poet is communicated, as it were, by magic, to the spectators; who weep, tremble, resent, rejoice, and are inflamed with all the variety of passions which actuate the several personages of the drama.