Drama Quotes - Page 96

I like a drama. And I think that's the basis of good films, or good plays, is to have a nice drama.

I was a football player at college and dislocated my thumb. I was out for a bit and passed the theatre and saw some lovely drama students walking into an audition for 'Much Ado About Nothing' and thought: 'That's what I'll do when I recover.' I joined that production and was hooked.

Agent Coulson takes the work very seriously. He certainly has some fun with Spider-Man and the others, but he takes each of their tasks, including when they get involved with the drama club, way too seriously. The adventures that they come up with are really exciting.

Some stories, she’d say, the more you tell them, the faster you use them up. Those kind, the drama burns off, and every version, they sound more silly and flat. The other kind of story, it uses you up. The more you tell it, the stronger it gets. Those kind of stories only remind you how stupid you were. Are. Will always be.

I really love idiot, enlightened characters - these characters who fail to engage with the drama of their immediate circumstances; they fail to be reactive and enrolled by drama as it happens around them.

It is a very strong rule in drama, and in life, that people remain true to their basic natures. They change, and their change is essential for drama, but typically they only change a little, taking a single step towards integrating a forgotten or rejected quality into their natures.

My parents couldn't afford a full time drama school, but I basically just did every class I could do, and followed every drama interest I could. When I was 15 or 16 I did drama courses.

I think that's actually what draws me to family stories: the various roles we each play with each member of our families, and how different they can be from who we are with our friends and partners and lovers. I'm endlessly fascinated by how we navigate these family dynamics; they are the dramas each of us live out day after day, often in ways we don't even realize.

We have to understand (this is another key piece) that there are some individuals who still need that drama, that experience of violence.

The energy is changing here dramatically. That's part of the upheaval of the drama. The dimensional shifts are accelerating. The magnetic energy at the core of the Earth has transformed to take in the new settings of our awakening selves.

The Pleiadians see a huge upswing in the drama on the planet and in individual lives. The drama is not a bad thing. It's just simply getting our attention to that which we need to take care of and notice all that we're still holding onto within ourselves. It's just to act as a mirror.

The outer drama in the world is going to escalate, and what they [the Pleiadians] are saying is to come back to your heart and don't participate in the drama. Witness it, but understand that this illusion on the Earth plane is accelerating because of where we are in our evolution.

We need to breathe, come back to our hearts, and connect into more of a stable place within ourselves, not allowing that drama to affect us, and through this process we transcend that drama experience.

Those who are living out the drama and the violence still need to live that out for their experience, while others of us have gone past that need - but we're still witnessing it from a distance. What the Pleiadians are saying is don't engage in drama that is not ours.

I had no choice but to make me as a comedian, because I am not particularly gifted with a lot of marketable skills. Unless I really want to spend the rest of my life temping, or teaching drama to third-graders, I don't have a lot of other options - which is freeing, in a way. I never have to say, "Well, I could always go back to law school."

I grew up doing plays - I went to a stage school after school - and it's always something that I've wanted to do, but, in a weird way, if you do television and film and you didn't go to drama school and don't have a theatrical background, it's hard to get your foot in the door. In the same way that it is for theater actors to get into television and film. There's a weird prejudice that goes both ways.

I just wanted them to die," said Poison. "They didn't have to make such a drama about it.

When you make drama you are like Picasso. Drama is whatever you want it to be.

I'm happy to try any genre, from drama to comedy and anything in between. Although, to be fair, for most of my career, I've been at the mercy of what people are willing to put me in.

I never wanted to be the lead on a TV drama. It just robs you of your life, really.

How do you get the protagonists and antagonists together, in the same space, without somebody having to die? So, we ended up having to tell two distinct stories, which is never the ultimate way to create a great serialized drama. So then, of course, we had the tragedy with Andy [Whitfield], which made everything very difficult and pushed back.

I would love to do a sweeping romantic period drama, like Jane Eyre. That would be my dream. It's always been my dream, as far as acting.

To the question of writing at all we have sometimes been counselled to forget it, or rather the writing of books. What is required, we are told, is plays and films. Books are out of date! The book is dead, long live television! One question which is not even raised let alone considered is: Who will write the drama and film scripts when the generation that can read and write has been used up?

Screenwriting involves an often un-personal process. Co-writers, directors, producers, everyone has a say in what you put on a page, and stories are constantly changing according to budget, actors, and commercial needs. Films are a collaborative process and are also inherently narrative and structured, so you are always working within very tight parameters. Short fiction unleashes a more intimate voice and a passion for language. I believe short narratives can have the same amount of danger and drama as any action film.

The missed call and call back drama between men and women deserves its own user mannual.