Dvds Quotes - Page 6

Unlike films, which can be easily disseminated worldwide via DVDs and the Internet, plays struggle to find an international audience.

I still buy CDs and DVDs, but generally for more obscure material.

There are people who like short movies, and I think they should just watch our movies on DVD because they can pause, go to the bathroom, eat dinner, and come back to it.

I'm an old person because I still buy DVDs. I have every one of my albums and 45s - I even have a couple of 33s and I do have a turntable. But I must admit, I don't listen to vinyl today. But I listen to all types of music.

If you're asking me have I purchased a CD, a DVD or downloaded a current artist? The answer is no.

Hours is an understatement. I honestly don't know how the director and editor decide each week what actually makes it on the air. There's of course director and cast commentary on each episode on the DVD. We had a blast recording that.

We always need to have someone help with videos, I think all of our DVDs could've been better but our music video, I love all the music videos, but the actual behind-the-scenes and stuff of our music video DVD, it was rushed and didn't turn out great.

The living room is a monument to my impulsive spending habits. I've got more than two hundred DVDs, including cinematic greats such as Monkey Bone, Corkey Romano, and A Night at the Roxbury, leading me to believe not only do I have awful taste in films, but I also have a Chris Kattan fixation. What I don't have is $4000 earing intrest in a money market account.

If people are still buying tickets, and still buying the DVDs, and they're still watching on YouTube and my fifteen minutes of fame isn't finished yet, then I'll just keep doing it.

The roadwork is just rehearsal for that DVD you're going to film a year later.

I'm going to eventually shoot my own special, because you have to own your own content. My Turn (2003), that's never been released on DVD.

I've asked Comedy Central, and they just say, "I don't know." It took Showtime two years to put my special on DVD. Owning your own content is the single most important thing in the world.

The advent of DVD/Blu-ray reissues of classic Hollywood and foreign films has been a boon to film buffs, who can now study their favorites in all their glistening detail and restored palettes.

In industries where a lot of competitors are selling the same product - mangoes, gasoline, DVD players - price is the easiest way to distinguish yourself. The hope is that if you cut prices enough you can increase your market share, and even your profits. But this works only if your competitors won't, or can't, follow suit.

Filmmakers get into trouble when they're watching too many DVDs and quoting all the time.

If you buy a DVD you have a copy. If you want a backup copy you buy another one.

I don't think people really do listen. We plug into music, and we have short attention spans. We tend to download individual tracks from iTunes rather than a whole album. We buy music DVDs and watch them once, and then they disappear into a drawer, or we loan them to a friend, and we never watch it again.

My first few years as TV critic, I would go to parties and people (usually older Posties or ex-Posties who seemed to pride themselves on not watching very much television) would take me by the arm and insist that I watch this show they'd recently starting watching on DVD, about drug dealers in Baltimore.

I've never been to the opera; I've only seen opera on DVD.

I just recently crossed over into Europe. They're showing my special Hot and Fluffy in Europe and selling the DVD there too. And they're doing the same thing in Australia and Canada. And I think the biggest part was I did the special in a predominantly Latino area, but I kept the show mainstream and across the board.

I've never been drawn to concert DVDs because they take away the part of the equation that's most important to seeing a live show: getting jostled around and feeling the energy in the room. I definitely didn't want to make one of those.

Then something fails and they're all out again, but DVD revenue is disappearing, you know, it's not disappearing but it's going off a cliff and what that's done is it's polarized the industry in a way that I've never seen before where studios are making less, they're bifurcating their choices where they're either going very, very big or they're just picking up a few rights on an acquisition basis or making really small things.

Now there's always exceptions to that and the reason is if the film doesn't really work, whereas before you could rely on a decent amount of DVD sales to prop up the revenue to ensure that you got out in a decent manner, now if the film doesn't work, the film doesn't work and there's none of that DVD revenue to fall back on and you can lose a huge, huge sum of money on a big budget movie.

My theory is, I don't know how long it's going to be five or ten years, there will be only two ways to see a movie and that will either be on your computer through your TV screen or in the cinema, end of story. There will be no DVD, that's it, simple.

I never put out a vanilla edition of a DVD.