Emotional Quotes - Page 119

When I really need it, talking is the best way to deal with emotional pain.

I began to see, again and again, stories that were first confusing and second where the emotional impact was muted because the big scene came before the explanation of what was going on. There was a reverse chronological order as well as a concealment of what exactly was going on. I think often that comes out of the fear of being boring, and sometimes I think it's just an attempt to seem clever.

I listen to music two ways: As a person, you have an instinctive, personal, emotional response. But as a music supervisor, you have a secondary response, which is, 'Will this sit well under dialogue?' 'Can people die to this?' 'Can people kiss to this?

There was nothing else to do but call upon the Creator, praying, begging, pleading, bargaining—anything to make him protect Xavier. I couldn’t have him ripped away from me like that. I could survive emotional turmoil; I could survive the most intense physical torture. I could survive Armageddon and holy fire raining down upon the earth, but I could not survive without him.

When we love others, we naturally want to talk about them, we want to show them off, like emotional trophies. We invest them with a power to do to others what they do to us; a vain hope, as the lovers of others are rarely of much interest to us. But we listen in patience, as friends must, and as Isabel now did, refraining from comment, other than to encourage the release of the story and the attendant confession of human frailty and hope.

As a director you have to be at 30,000 ft objectively looking at everything, wondering if you're making the right objective, emotional, story, character choices. As the writer, while you're asking all of those same questions, you're also forced by the nature of what writing is to be looking at everything under a microscope. That's the difference between the two jobs.

I think what people watch television for is the emotional continuity, from episode to episode, and feeling that the experience that they had, four episodes ago, has actually been building to an episode that comes later, and knowing that the characters are growing, as a result of that, and making mistakes, is really, really important to the way people connect to television.

An emotional story is an emotional story no matter how big or small it is.

Every act of perception has an emotional coloring.

Emotional pain is sometimes what we make of it. We can always choose how we react. No matter what the pain, breathing always centers me.

Santa Sangre is the picture I love the best, myself, because El Topo and The Holy Mountain I made with my head, and Santa Sangre I made with my feelings, with my heart. It's an emotional picture. And it's more real for me, that picture.

The emotional state that leads to achievements resembles that of a worshiper or the lover.

From the writing stage, I had envisioned a film that would be bright and light, even if the movie addresses adolescent unrest and self-destructive behavior. Talking about adolescence, I wanted to make a very musical film that was also a love story with a sensorial, sensual dimension and which had a strong emotional impact.

Classical music's ability to translate emotional themes is fantastic.

It's exciting having a student who is not used to expressing their emotional side and bringing that out in them and see that developing and helping to nurture that. That's an exciting thing. In a class of fifteen there are usually two very good writers, equal to good student writers anywhere in the country. Those two make the class wonderful.

Novels aren't pedagogical instruments, or instructions in law or physics or any other discipline. A novel has to be an emotional experience, a trip of the imagination, and because science has raised so many issues that concern and affect humans, it's a good starting place for me.

The greater the emotional intensity, the greater the simplicity.

I definitely see the good in people. Certainly in my own life I strive to be somebody who is functional and well adjusted and can face conflict in a non-emotional and non-destructive way, and those are the people I try to surround myself with in my life. But as characters, they bore me.

When you're going through an emotional experience and you're focussed completely on what's happening, you can't even spare any attention that the camera's there.

Having cameras follow you is something that requires a little personal adjustment, but you actually do begin to forget they're there. It's impossible to maintain that awareness all the time, and when you're going through an emotional or absorbing experience, you really don't have any spare attention to think, "Got to remember that the camera is rolling."

To me exposition always contains tenderness. While a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.

I don't like China. Even today, I still feel I have no emotional relations with this place.

We worry so much in this culture about being happy. The pursuit of happiness is even written in our Constitution. It's an erroneous concept because we are emotional, thinking beings that are constantly affected by a hundred things around us and inside us.

Relief is a wonderful emotion, highly underrated. In fact, I prefer it to elation or joy. Relief lets the air out of the Tire of Pain.

The most precious research to me came from the paperwork filed on behalf of my grandparents and great-grandfather. The ship's manifest showed that they could read and write. I am still emotional when I look at those boxes checked yes.