Emotional Quotes - Page 91

Most of what I read is for reviewing purposes or related to something I want to write about. It's slightly utilitarian. I definitely miss that sense of being a disinterested reader who's reading purely for the pleasure of imagining his way into emotional situations and vividly realized scenes in nineteenth-century France or late nineteenth-century Russia.

I was really psyched about crooner types like Frank Sinatra or Scott Walker. Something that comes more from the stomach than the throat. There's an emotional thrust to singing that way that I wanted to try on my own. I can't really sing deep and strong like that, but I wanted to just aim in that direction.

Wine, like food, is so emotional. If you think about it, so much of the courting ritual is surrounded by wine and food. There's a built-in romance to wine.

Film is such a very good tool for communicating emotions, and all designers and creative people look to inspire an emotional response.

A certain month or a certain season can elicit a certain emotional response. That is certainly true for anyone who has a negative anniversary on their calendar, the approach of that month brings the feeling of being very much back in another room. It is a time that stands outside the rest of the year.

The real weakness of England lies, not in incomplete armaments or unfortified coasts, not in the poverty that creeps through sunless lanes, or the drunkenness that brawls in loathsome courts, but simply in the fact that her ideals are emotional and not intellectual.

I think that almost every scene was an exploration - it was never going to be just what’s on the page. So I know I was very lucky - we all were - to work with a cast of this caliber. These are extremely experienced and intelligent actors, who are also deeply emotional and - as you say - are also engaged in the world.

I think the most emotional part in making the movie and discovering the movie - because it was a process of discovering - is all the scenes with the family.

We need to deprogram ourselves. I know for sure that you can't give what you don't have. If you allow yourself to be depleted to the point where your emotional and spiritual tank is empty and you're running on fumes of habit, everybody loses. Especially you.

First of all, being a woman is an incredible asset in many ways in making documentaries. You can be less intimidating, you have a heightened emotional sensitivity and you have the ability to listen to multiple conversations at one time and multi-task.

In a relationship I'm a very loving person, emotional and sensitive.

A lot of people assume that women of a certain age who are not unattractive have no excuse for not having a perfect life. But you can have emotional baggage that is dragging you down like cement blocks tied to your feet.

money usually represents so much more than dollars and cents. It is tied up with our deepest emotional needs: for love, power, security, independence, control, self-worth.

It is culturally constructed, but not unnecessary. A crisis is a period in a person's life that lasts at least a year during which there is an unusual level of emotional instability, negativity, and crucially, major changes. This is important because right now, when you diagnose mental health problems, where you are in life doesn't really come into it. Psychologists are saying that it should.

I think it's always the emotional situations that are more tricky to nail and get into because I don't want to pretend.

I guess I'm interested in people who are very sophisticated in intellectual ways, while being completely off the mark in emotional ones, with huge blind spots in terms of their own behavior.

I think films about men are often about characters who don't want to express their feelings. You're supposed to kind of admire them for not expressing their feelings. And I feel that's a bit dull. Women's stories often have stronger emotional content, which I enjoy doing. What I really love doing is mixing that with humor.

You look at somebody's work as an actor and you can see their emotional life being fed into it and you can kind of feel them through it.

I love this idea of being able to touch people with something quite familiar, something quite emotional, and at the same time, have the feeling that this is a new way of doing it, a fresh way of showing things. I like radical people. At the same time, I'm fascinated by popularity, people who were able to have huge success and also keep their consistency.

Writing orchestra music, you need for the emotional content to come from everyone doing everything together, adding up as it goes, a crowd mentality.

I think emotional and mental pain is probably worse than physical pain. I think we don't realize that I have no arms or legs but we all have disabilities of some sort, some fear, some lost, some wishes that didn't come true, things we wish would be better.

In cyberspace, we get many fewer cues about the emotional states and attitudes of the people we're talking to. That makes it less interesting, easier to mis-communicate, and more likely to destroy trust. So you need to treat cyberspace with care, especially being aware of the fragile nature of trust in the virtual world.

For me, the best characters are the ones that feel fully formed inside and out, so I try to have a very clear vision of exactly what they would wear, top to bottom, who they are, what their backstory is, what their family situation is, who are their friends, just creating as much of a three-dimensional character [as possible]. Because I think you could do a very broad character, but as long as there's some emotional truth to them you can get away with really crazy things.

Maybe we all live life at too high a pitch, those of us who absorb emotional things all day, and as mere consequence we can never feel merely content: we have to be unhappy, or ecstatically, head-over-heels happy, and those states are difficult to achieve within a stable, solid relationship.

My dad's side of the family had lots of artists and musicians. There's an emotional, quite sentimental quality to Slavic culture. It's very open, it loves art, it loves music, it loves literature. It's very warm, it's very up, it's very down. I would celebrate that.