Emotional Quotes - Page 94

Nothing can be left until the last minute, so that everyone knows exactly where they are. Everyone is comfortable and everyone feels safe because we want people to be able to keep coming into this show and taking those risks. There are a lot of risks in this show, not just nudity, but emotional risks. We want the best actors to feel comfortable about coming in and exploring this subject matter with us.

People don't go to the movies to get the news, people don't go to the movies to learn a lesson. People go to the movie to get an emotional experience.

If I'm able to catch the screening, there's a point in the film where, like clockwork, a portion of the audience gets really emotional and begins to cry. And that's very difficult to make happen.

Of course, when a poem is being born, the reasoning part of the brain throbs away at full throttle, but all the other areas are overlapping and interacting as well, the emotional, intuitive, animal areas.

Most of us have become Ecozombies, desensitized, environmental deadheads. On average, society conditions us to spend over 95% of our time and 99.9% of our thinking disconnected from nature. Nature's extreme absence in our lives leaves us abandoned and wanting. We feel we never have enough. We greedily, destructively, consume and, can't stop. Nature's loss in our psyche produces a hurt, hungering, void within us that bullies us into our dilemmas.

Jed Diamond is, quite simply, one of the wisest men writing today on the topic of male emotional and physical health.

TV is gratifying in the long-term. We [writers] find ourselves knowing who we can go to for a laugh, or who we can go to for a good emotional moment, and then milking those things.

You substitute certain things from your own personal life to get you to that mental place and that emotional state. At that time [Brian Robbins] went for the home run, the grand slam [in "Hardball"].

I found at a young age that emotions aren't always handled with talking and other emotions. I started ballet, seriously around fourteen, and let me tell you, nothing can give you an emotional reset like a good ballet barre.

MPU was a great platform for emotional drama and Australian stories.

Feelings take you into uncharted territory from time to time it's true, but you almost always benefit from the journey one way or the other. We tend to think of the rational as a higher order, but it is the emotional that marks our lives.

We are on a very rich emotional and physical journey on this planet.

I like to play different ranges. When you get really deeply involved in the emotional parts, I enjoy that just as much as the fun and laughter.

I always listen to music when I write! I basically make a playlist for every essay; sometimes it's just one song, or three songs, over and over and over. I sort of find the emotional pitch of the piece, and then match music to it, and then the music becomes a shortcut to the feeling, so I can enter it and work anywhere: on planes, cafes, at work, the train.

I've always been interested in tht notion of what is authentic and how we define that and why our culture imposes certain emotions and emotional constraints onto experiences.

Now let's try to understand that falling into sexual and emotional thrall with an underage blood relative hadn't exactly been on my list of Things to Do while visiting England,but I was coming around to the belief that whether you liked it or not, Things Happen and once they start happening you pretty much just have to hold on for dear life and see where they drop you when they stop.

By its very looseness, by its way of evoking rather than defining, suggesting rather than saying, English is a magnificent vehicle for emotional poetry.

Dreams raise the emotional level of what I'm doing at the moment.

I suppose the nearest equivalent to a bar mitzvah in terms of emotional build-up would probably not even be one's wedding day, but one's coronation.

I just know from experience that reading a funny poem aloud, especially at the beginning of a public reading, can have a certain effect. Somehow narrowing the spectrum of possible emotional reactions. So while I like it when people laugh at my poems, and I definitely enjoy being funny in them, I don't really think that's the most important thing that's going on, at least not to me.

Not that I play guitar anywhere near as well as she sings, but I think I have always had a tendency to play solos the same way, in emotional relation to the structure of the song. I choose simple lines, and only play what seems emotionally relevant, and often express that emotion in time, that is in play or resistance to the set time of the song.

Milton on speed. I am going to need about a decade to think about that. That delay in syntax, the putting off of the click of the sentence into itself, is something that has always intrigued me. I love the emotional effect of it, and never want it to be merely a gesture. Sometimes I try it and it doesn't work, so I have to put the poem aside, and try again, more simply and more strange.

It's not hard to connect with the music on an emotional level and get inside the songs. It's odd, very vulnerable, and slightly embarrassing to be standing and singing and playing music in front of a bunch of strangers.

I don't like bands who would play music like Code. I mean I hate most bands with emotional singing parts (I adore metal singing like Iron Maiden though!)

You don't scare me, Cadence Jones. I've lived with crazy, I've ridden with crazy, I've vacationed with crazy, I've visited crazy in various hospitals, I've sat in on therapy sessions with crazy. Frankly, I think women who don't have major emotional disorders are really very dull.