Fashion Quotes - Page 145

Production chains, how consumers can drive change: all these things may seem at odds with fashion, but arguably, they're not.

It's not that I don't believe in creativity and innovation and new ideas, and the creativity that comes with fashion, which I really respect. But one of my biggest concerns is just how cheap we expect everything to be.

Modelling, fashion and film have all encouraged me to learn more about issues and to feel empowered enough to do something about them.

I do not agree with this century's fashion of running down the human species as a failed try, a doomed sport. At our worst, we may be going through the early stages of adolescence, and everyone remembers what that is like.

Deliberately, on every historic occasion, we piously fake events for the benefit of photographers, while the actual event often occurs in a different fashion; and we have the effrontery to call these artful dress rehearsals authentic historic documents.

When I look at pictures from when I was younger, I think, "Holy crap, what the hell was I wearing?" I've made it a real mission to fully understand what fashion is all about. I love going to these shows because I love seeing creativity. So when I get to meet these fashion designers, I'm kind of like, "Where did you get the idea to make this? What were you thinking?" Some of that stuff is so crazy and loud.

I think a lot of people would assume that my job is more about supermodels and naked ladies and all that, and no, it's just really about fashion, merchandise and customers. So the obviously sexy parts - you get to go to the fashion show and all that stuff. It's really just business. That's my story. I'm sticking to it.

One of the things I've probably absorbed when I was in business school - and didn't know I was learning it - was about life cycles, that things begin, and they peak, and then they decline. So whether you look at life cycles of fashion, or you look at life cycles of things that people buy, designs, everything is in a life cycle. Getting out of the apparel businesses and into beauty and lingerie, those were very big bets, but they were very deliberately thought about and tested over time.

There are vast differences between scripts and stories, of course. Few fiction writers would want to give up the opportunity to explore how the minds of their characters work, or to set aside the opportunity to provide necessary background exposition in a succinct fashion.

I have never been a fashionista or someone who puts a lot of thought into what I wear, and I dress to be as comfortable as I possibly can.

The only valid reason to use clichés is in the speech of a character. Cliches are indications of sloppy writing. The writer does not respect the scene he is trying to dramatize enough to fashion it through precise prose and imaginative imagery. From the book Dare to be a Great Writer: 329 Keys to Powerful Fiction by

I do love a bit of fashion. I grew up around a lot of it as my mum and dad had clothing stores so my mum was always designing a lot, and I definitely had that as an influence.

I love Thandie Newton. I love her fashion sense as she is just really classic.

Why nowadays there's a new fashion every day.

I don't really follow fashion exactly, but I've always been very interested in the way that you present yourself as an expression of yourself, so that's my idea of fashion and style from a personal point of view.

I've always been interested in fashion, the clothes, but I'm not that familiar with the fashion industry; for me it just comes out of quite an innocent sense of style.

I really like to be able to have variety and to try different things - that's the beauty of fashion.

Much like the fortified wine that gives Marsala its name, this tasteful hue embodies the satisfying richness of a fulfilling meal, while its grounding red-brown roots emanate a sophisticated, natural earthiness. This hearty, yet stylish tone is universally appealing and translates easily to fashion, beauty, industrial design, home furnishings and interiors.

My whole background was with bands, so I always thought of "fashion" as performative. It took me a long time to bridge the gap between my music and what I was studying in school, [which was] dance and being a performer.

Hijras earn a living by egging, sex work, badhai or blessing. There are now transgenders in social work, the fashion industry, who have PhDs. I say, "Study, study, study." You need not wear a sari, and even our ancestors said you need not wear feminine attire to be part of the third gender. When I started bar dancing, nobody else was doing it. When I joined the social sector in 1999, there were no nonprofit organizations working for the rights of hijras in India. But I had to do it, I wanted my dignity.

It does seem like if you're an interesting person and you have endless amounts of money to indulge your fantasies, then those fantasies will be plagued with guilt about that level of indulgence. It really becomes a self-defeating exercise in pursuing hedonistic desires in any sort of normal or guiltless fashion.

In one universe, they are gorgeous, straight-teethed, long-legged, wrapped in designer fashions, and given sports cars on their sixteenth birthdays. Teacher smile at them and grade them on the curve. They know the first names of the staff. They are the Pride of the Trojans. Oops – I mean Pride of the Blue Devils. In Universe #2, they throw parties wild enough to attract college students. They worship the stink of Eau de Jocque. They rent beach houses in Cancún during Spring Break and get group-rate abortions before prom.

My work is more about trying to ask good questions and not trying to come up with big shows. Every fashion company is doing that, every car company is doing that.

Art is like an avalanche being poured down your throat. You know it's going to crack, eventually it's going to go out of fashion. I wish there was much less happening. I wish there were fewer art dealers. I wish there were fewer auctions. I wish there were just two auctions a year.

I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.