Fact and fiction carry the same intrinsic weight in the marketplace of ideas. Fortunately, reality has no advertising budget.
For fiction, Im not particularly nationalistic. Im not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
Science fiction is the agent provocateur of literature.
Fiction writers can’t be trusted. They make things up.
The feeling of being an outsider, and the identity theme, are hardwired into me. If there's anything really autobiographical in my fiction, it's that feeling. I always feel that way.
A lot of times in my short fiction there isn't much dramatized scene - there are a lot of short, interconnected bits, snippets of conversation, continual action, and so on. I frequently rely pretty heavily on voice.
In some ways all of my fiction is like a conversation I'm having with the writers I read when I was first falling in love with books.
As strange as this may sound, I very seldom read fiction. Because my novels require so much research, almost everything I read is non - fiction - histories, biographies, translations of ancient texts.
I read nonfiction almost exclusively - both for research and also for pleasure. When I read fiction, it's almost always in the thriller genre, and it needs to rivet me in the opening few chapters.
Most contemporary fiction sucks. It's intellectually dishonest, often morally dishonest. It's cheap and easy. It pretends to be deep but is really quite shallow.
Writing fiction is fundamentally an irrational act.
We need more science, but what we especially need is science fiction.
Aging has brought me greater liberty in fiction. When I was young I was harder on myself. I wrote with an idea of absolute seriousness.
I can't claim to be disenchanted "with the current state of fiction" because I read so little of it. My reading is mostly drawn to history.
Artworks, whether fiction, music, or painting, because they have the power and possibility to become truth, when repeated enough or told enough are somehow truth about what America is, whether they were or not.
I'm able to separate fiction and reality. I guess it remains to be seen if other people are.
And I am pretty sure that's the point of reading fiction -- so someone else can say in a way you never would have something you recognize immediately.
Carver's best book yet! FROM A CHANGELING STAR combines deft characterization and fascinating extrapolation into a complex, compulsively readable thriller. I wish all science fiction novels could be this good.
Carlton Mellick III is one of bizarro fiction's most talented practitioners, a virtuoso of the surreal, science fictional tale.
I really don't know enough about the structure of fiction.
I like science fiction. Arthur C. Clarke, Philip K. Dick and Vonnegut, and I really like Margaret Atwood, The Handmaid’s Tale. And you know, so much of science fiction has to do with predicting what’s to come, so I think that’s really interesting.
Anakana Schofield is part of a new wave of wonderful Irish fiction-international in scope and electrically alive.
I'm a complete and utter fiction. Then again, we all are.
Apparently I’ve been typecast in science fiction: I’m a Russian bisexual telepathic Jew.
A fiction writer is never entirely alone. Her characters are constantly whispering in her ear.