One of the main things that's appealing about games is that you know a game can be won. It's an unusual game that's impossible to win.
Personalities seem in many cases to dominate the lucrative endorsement market. But that doesn't upset me. What upsets me is when not enough attention is paid to the product-the game.
I was disappointed if I didn't have a chance to win a game, and if I had the chance and didn't do it.
I don't live in the past. And besides, there are too many times in my career to remember specific events, because I played so many games.
I've grown over the years and I know how to adapt to situations, where I can go into a situation where there's a crowd of people and just take over. But pretty much I'm off to myself. And I'm totally committed to the game of football. That's why I've had so much success.
I think blocking a shot at a crucial point of the game is the most incredible feeling.
The competitiveness, playing in front of 18-19,000 people every single night, people asking for my autograph, getting recognized, being able to do something like this with Sega and being on the front of a box, and being involved in video games, and listening to movies where they reference my name like in Swingers. All these things they make life so exciting, you don't know what to expect next.
I just think in order for someone to understand my game, they have to watch me more than once, because I'm not going to do anything that's extra flashy or freakishly athletic.
I don't think I am very easy to work for because everything has to be just right or we don't put it out. But at the same time, all the people that work for me have a "no asshole" rule, if you're a jerk you're fired, so it's a great team and a lot of skillful people at the top of the game, anybody from management to the agents to the publicists to the day-to-day website stuff and it's just a great team.
I just didn't feel comfortable hitting a wedge. To me it's against the spirit of the game, and maybe it would have been against the spirit of a Frenchman.
Competing for Wales in the Commonwealth Games in Melbourne 2006 at the age of 16 was daunting for me. It was my first major senior competition and to go out there in front of such a huge crowd was terrifying at the time, but I've had so many senior internationals since then, I feel that this experience has given me the confidence to give it the best shot that I can.
I went down and played with Magic Johnson at his all-star game in Atlanta. I remember Magic stopped the game and said, 'We need you here with us in L.A.
It’s not a playoff game, it’s like the Super Bowl. … This is going to be a blood bath out there. I know they’re going to be ready to play. This is going to be a physical game. I’m sure that I’m going to be ready and I know my boys are going to be ready to back it up.
I don't play video games.
When you reach a certain status in Hollywood, you have to play a lot of games to stay in the limelight. It becomes more about being famous than being an actor.
Being patient, feeling comfortable, taking my walks-that's part of my game.
When you strip away the genre differences and the technological complexities, all games share four defining traits: a goal, rules, a feedback system, and voluntary participation.
When we're in game worlds, I believe that many of us become the best version of ourselves - the most likely to help at a moment's notice, the most likely to stick with a problem as long at it takes, to get up after failure and try again.
Chess is and will always be a game of chance.
We get trapped and configured in patterns of consumption, patterns of social organization, of education and value systems that don't seem to be feeding that sense of our original being. We fight ourselves, repeating other people's games and being fed their appetites and their amusements.
Never read bad stuff if you're an artist; it will impair your own game. I don't know if you ever played competitive tennis, but you learn not to watch bad tennis; it messes up your game. Art's the same way.
You know, I'll tell you, nothing changed after 'No Strings' for me. A lot of people said, like, 'Your game will be different,' but it wasn't. It really wasn't.
I declare the 20th Winter Games closed. I call upon the youth of the world to assemble four years from now in Vancouver, to celebrate the 21st Olympic Winter Games.
The biggest kick I get is to communicate with those who are exiled from the game - in hospitals, homes, prisons - those who have seldom seen a game, who can't travel to a game, those who are blind.
Censorship is not an occupation that attracts intelligent, subtle minds. Censors can and often have been outwitted. But the game of slipping Aesopian messages past the censor is ultimately a sterile one, diverting writers from their proper task.