My main objective with a home studio - I could get into doing full band demos - but my first objective is to cut things like guitar tracks and solos at home.
I'm singing what I want to sing based on the emotion of what that day feels like. That's what comes out of my mouth and guitar. That impacts people. They know anything can happen.
In a time when everything can be next day and ordered and put on credit and paid for, music to me is promise, all promise, very little realization. It's the promise of walking into a room with a guitar and not being sure you will leave with an idea that will take, not being sure it won't slip away from you.
Lots of people who complained about us receiving the MBE received theirs for heroism in the war -for killing people. We received ours for entertaining other people. I'd say we deserve ours more.
I had a big background in listening to classical music and I started trying to compose, like I was playing the guitar but I heard an orchestra in my head.
There is something about guitars—maybe something magical—when played right, which evokes past, mysterious, barely-conscious sentiments, both individual and universal.
The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.
Once I got a guitar that was relatively user-friendly, but not super-duper easy, I really came on as a guitarist, at that point. It helped. It was a super-expensive guitar either, but something needs to steer you a bit, if you're playing an instrument that is really hard.
I played guitar all my life, all the way through the Yardbirds, but I knew that for me this was going to be a guitar vehicle, because that's what I wanted it to be.
My vocation is more in composition really than anything else-building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army. ... I always felt if we were going in to do an album, there should already be a lot of structure already made up so we could get on with that and see what else happened. ... I always believed in the music we did and that's why it was uncompromising. ... I don't think the critics could understand what we were doing.
One time I said: maybe I should burn a guitar tonight. You know smash a guitar or something like that. And they said: yeah, yeah! I said: you really think I should? They said: yeah, that'd be cool. I said: well, ok.
With Pearl Jam, everybody is so good at what they do, it's hard to get up the courage to say, Can I sing this part, or, I want to play guitar. I feel like I have more courage to do that.
Probably the high-watermark of [Bob] Dylan's career came after he plugged in his guitar ("Judas!" one fan shouted during a concert) and exploded American poetry, combining Beat aesthetics, psychedelic imagery, collage techniques.
I bought all my friends guitars and I had a good time with my money. But then one day the IRS came knocking.
I was a drummer and I played the guitar.
The main things to rebel against - over-production, too much technology, overthinking. It's a spoiled mentality; everything is too easy. If you want to record a song, you can buy Pro Tools and record four hundred guitar tracks. That leads to overthinking, which kills any spontaneity and the humanity of the performance.
I keep a guitar around while writing and will improvise music. I do this for several reasons, such as that it's fun, and sometimes it helps me with the meter.
I've known Shawn for several years. And he's just an amazing talent. He's a great writer, a marvelous, marvelous guitar player, and plays really good fiddle.
I don't know what the outcome will be. I put a couple away for my grandkids, like that. So I don't know, who knows? Maybe I'll start building guitars for a living.
I learned to play guitar at a young age and converted poems and stuff that I had written to songs.
At the Muddy Waters thing, I played the first song by myself on an acoustic guitar. I thought that was great that y'all did that tribute to Muddy Waters. I had a real good time
Martin guitars have now brought out, you know, on a more traditional level, the Stephen Stills' model of Martin guitars. It's beautiful. I just went inside. I bought one immediately.
In my first bands I was a singing guitar player, but if you heard any of those songs you wouldn't describe me as a singer. But I can make it work.
I only ever really take out my guitar when I'm miserable, which isn't necessarily a very good time to do it.
I regard golf as an expensive way of playing marbles.