The word love carries the same vibration in any language. You probably know this guy, you probably had dinner with him yesterday. The Japanese water crystal guy?
One of my friends was a stage hand at a Bob Dylan show in the mid-90s and I remember him telling me that somebody crowd surfed during the gig. And this friend of mine was an old punk rock guy - he was totally humiliated by it. But some of Bob's people were there and they said, "Oh, Bob will be so excited! This is the kind of energy we want at his shows." That's where the old school was at.
I was into Ted Nugent, I was a Nugent guy. I was a skateboarder listening to Ted Nugent.
I keep getting cast as this bad guy, and I don't know why.
I'm an actor. Never trust an actor, whatever their energy is. I suppose you guys see that side of me, but I'm sure there's plenty of people close to me who've seen the other one. I think if we're all honest with ourselves, we all know that internal rage.
If I weren’t getting paid or didn’t have a character like Wolverine to maintain, I would just be a tall, lean, fit guy.
I began to think of war, even so-called "good wars" like World War II, as corrupting everybody. Violence begetting violence. The good guys beginning to act like the bad guys. And when I studied the history of wars, it seemed to me that that was the case. Athens vs. Sparta in the Peloponnesian War. The Athenians presumably the democratic state. The Spartans the totalitarian state. But as the war went on, the Athenians began to act like the Spartans. They began committing atrocities and cruelties. So I saw this as a characteristic of war, even so-called "good wars."
People love leverage when it's working. I mean, it's so easy to borrow money from a guy at X and put it out at X.
As a consumer, if I heard someone who said, "I've written this song," and then I found out it wasn't by them, it's a bit disappointing. A lot of the guys that do that are really talented and they've made some incredible music, but they get addicted to having success and feel too much pressure, so they get other people to make sure that their next song makes money.
There are a lot of producers and people in the music industry who take credit for the work of others when it's not actually their work. Especially big producers - they have a song that's written by one guy with a produced mix by someone else and then it's sung by someone else.
This guy is totally unorthodox. Maybe he`s flipping coins or playing three-card Monty to see who he wants to pick. Donald Trump is so unorthodox that I think it`s almost impossible to have any reasonable prediction about who he`s going to pick for the Vice-President.
We're going to use Terri Schiavo later on. This is going to be an issue in 2006 and it's going to be an issue in 2008, because we're going to have an ad with a picture of Tom DeLay saying, "Do you want this guy to decide whether you die or not, or is that going to be up to your loved ones?
What John McCain didn`t realize was that Sarah Palin was his demographic. He thought he was appealing to younger women, and in fact, Sarah Palin appealed to people who were like McCain, old white guys, who thought she was sexy to skin a moose. That was a miscalculation, it didn`t work. They didn`t do the vetting, they didn`t do the polling.
George Saunders is outside of Chicago too. I've met him a few times, actually. I really like him a lot. He's a really sweet guy. He's a big fan of my music now, too. I spent an enormous amount of time reading his work.
I'm cool with being the sad guy, but I don't want to be the guy who nobody wants around because he's so miserable.
If you are an [American] politician it's very hard to imagine. "Now we are going to treat these guys as our equals? That's ridiculous. What have they ever done to deserve that?"
I'm like that guy who single-handedly built the rocket and flew to the moon. What was his name? Apollo Creed?
Blame the guy who doesn't speak Engish.
You have to really think about what kind of guy the character is and decide on a style that works, that complements my physicality and that's going to be believable, but also be compelling for the audience and for the camera.
When I do a movie, I have the script. I know how it begins and how it ends. I know what my character does and where he's going. If I have ideas I want to express or changes I want to make, there's one guy: the director. It's different in television.
Not all television scripts are created equal. And the process is ridiculous. They send you a script and want you in the next morning. That's not how acting works. You can do anything to me as an actor; I'm a very resilient guy. Just don't rush me. If you ask me to do it immediately with no time to prepare, I know you have contempt for actors.
I don't know any girls who appreciate getting a close-up snap of a guy's privates out of nowhere.
I think guys are afraid of being too straightforward, so sometimes being coy gets you nowhere.
The inside is packed with people. Lots of them crowding the bar, passing drinks back for people to carry to tables. A bunch of guys are pouring shots of vodka. "To Zacharov!" one toasts. "To open hearts and open bars!" calls another. "And open legs," says Anton.
This is the part in the movie where that guy says, "Zombies? What zombies?" just before they eat his brains. I don't want to be that guy.
