Walter Duranty helped to turn the monster Stalin into a world figure and a hero of the leftistWestern intelligentsia by defending the bloodbath of the Soviet Union from its critics in the now famous: "You can't make an omelette without breaking eggs.
I've known I wanted to do this ever since I was a little kid and I used to get in trouble at church for goofing off all the time: mocking the preacher, imitating people and the things they did. I later learned my mother used to be just as goofy as I was when she was younger. I mean, Eddie Murphy in 'Coming to America?' My hero.
I'm that mild-mannered guy, but when we get on that stage, I think there is a magical force, and everyone sort of turns into a superhero. I get my gear on and I just go to battle. When you hit that stage, something comes on. It creates a different kind of energy.
Some would assert that Providence was at work shaking out its pockets in Humanity's lap. Other would argue for that mindless choreographer, Chance. Either way it was a simple thing: a lost diary fell into the hands of a soul-sick war hero on a train from Bombay to Jaipur just when he'd grown tired of the scenery and needed something to keep his thoughts from the minefield of his wretched thoughts. In such mild ways is the groundwork laid for first kisses and ruined lives.
You know who was a hero? Franklin Roosevelt.
We were into the Speedway. We'd take a train out to the Speedway where farmers had flatbed trucks with bleachers on them. They'd park in the infield and we'd sit on those. Our heroes weren't the drivers, they were the pit crews. That's because we were local, and we knew what was going on.
I think James Bond is a spy. He's not superhuman. Calling him a superhero is like calling James Bond movies "comic-book movies."
I seem to like playing with form, and the superhero genre has an awful lot of formula to it. It has a lot of formula to it that I don't think it should be limited to.
I've always been positive about superheroes.
There are a lot of discussions where people will decide that James Bond is a superhero, because he's a larger-than-life hero who beats the bad guys by doing larger-than-life things. And I don't think that's a useful definition.
"Superhero" is a term that's been borrowed in order to say "big and larger than life and loud and active and dumb." And I don't think that's a useful definition. That's more a dismissal.
I think that the superhero-as-metaphor involves a superhero being some sort of intellectual, emotional, or other such concept writ large. But I don't know that it's a necessary part of the appeal that the superhero be superior.
I like superheroes. I like the drama of it, the stirring, larger-than-life aspect.
At one point, I worked up a list of five requirements for a superhero: superpowers, a costume, a code name, a mission, and a milieu. If the character had three out of the five, they were a superhero. But that's just my definition.
In Durban, where I was born and grew up, and all over Africa, Nelson Mandela was a hero! Now he is a hero to the world.
I'm not talking about my children's father'he's a wonderful black man, the hero of my life, and he's never disrespected or betrayed me. But I'm talking about what I see in the streets and in the media, this naked hatred that black men have towards the authentic black woman'which is really an indication of black men's hatred for blackness itself.
You don't encounter anyone who is not hero or villain of their own story. If it's man vs. self, you have to explore the ways each character is villainous and heroic.
I kind of weirdly fell into being an action hero...I have no f- idea how that happened. You have to remind people that you want to act rather than just run around
I want to play an action hero. I'm ready for roles that totally aren't me.
Jack furiously chopped vegetables. "Captain Dependable! Wait, we vetoed that one. The Divine Door Maker? Too much? Hmm...Handsome Hero, but maybe I should move away from alliteration. Something sleek. Our Lord and Master Jack.
I’ve always thought that if comics are a part of pop culture [then] they should reflect pop culture, but a lot of the time comics, superhero comics especially, just feed on themselves. For me, comics should take from every bit of pop culture that they can; they’ve got the same DNA as music and film and TV and fashion and all of these things.
Soon, he would become an adult. And when he did, there would be not going back because adulthood was akin to what his father had once said about being a war hero: one you became one, you died one.
Me and Conan O'Brien and Robert Smigel and Dana Carvey wrote a script called 'Hans and Franz: The Girlyman Dilemma,' and it was going to be co-produced with Arnold Schwarzenegger, and he was going to co-star in it. We had a deal with Sony, we got paid to write it, and it was a musical, but it never got made because...I think Arnold kind of backed out at the last minute because he was getting cold feet because ;The Last Action Hero' had come out, where he was parodying himself. But it was a really funny script, and I wish it could've seen the light, because I think it would've done really well.
I would never behave with so little dignity. Nor would I wish to be confronted in such a manner by anyone else. Vampires inspire screams, not squees. Involuntary urination is common, I grant, but it properly flows from a sense of terror, not an ecstatic sense of hero worship.
I think that's there are a couple of reasons for that. One is as you're introducing the fourth and fifth versions of these MacGuffins that we've been playing with for a long time, you wanna do something different with them and not just have them be an object passed around. So the notion that something is inherent in the literal body of one of your lead heroes is interesting. And the idea that the Eye of Agamotto's a great relic over the course of Doctor Strange comics anyway.
