An eighty-nine year old kid from Boston playing a blues in New Orleans takes a lot of chutzpah.
I teamed up with the PGA of America to help promote a weekend of golf that raises scholarship money for kids who lost a parent or whose parent was severely wounded in combat.
There's only one person who hugs the mothers and the widows, the wives and the kids upon the death of their loved one. Others hug but having committed the troops, I've got an additional responsibility to hug and that's me and I know what it's like.
You'll hear people say it's racist to test. Folks, it's racist not to test. Because guess who gets shuffled through the system oftentimes? Children whose parents don't speak English as a first language, inner-city kids. It's so much easier to quit on somebody than to remediate.
I just remember, all I'm doing is remembering when I was a kid I remember that they used to put out there in the old west, a wanted poster. It said: "Wanted, Dead or Alive." All I want and America wants him brought to justice. That's what we want.
How do you know if you don't measure if you have a system that simply suckles kids through?
And one thing we want during this war on terror is for people to feel like their life's moving on, that they're able to make a living and send their kids to college and put more money on the table.
I have two kids in diapers and a cat whose litter box I clean out. I deal with an awful lot of crap.
Here's the teaching point, if you're teaching kids about intelligence and policy: Intelligence does not absolve policymakers of responsibility to ask tough questions, and it doesn't absolve them of having curiosity about the consequences of their actions.
As a kid, I had a real fascination with perverse, off-color, and kind of risky things, and I also had a very sanctimonious Catholic, purist side.
Being in church so often, spending those hours sitting in front of a highly symbolic array of objects, hearing those beautiful texts - it teaches a kid that there are important truths beyond the literal ones, and that we have ways to access those truths that are, let's say, super-rational.
I have been married to my wife, Paula, for 25 years. We have wonderful kids. Things are - it's been a really rich life, so I started thinking, is there a way to get valence a little more into the stories, the idea that, yes, things can go wrong, but also they can go right.
It is technically very hard to show positive manifestations. But I can look back at the way I thought and felt even as a little kid and there was a lot of wonder there, and openness to the many sides of life.
You don't want to be that parent - the one who dresses his kid in a cloth sack when all the other kids are in Armani cloth sacks - especially in a time like ours, when materialism is not only rampant and ascendant but is fast becoming the only game in town.
I watched a bunch of kids movies on Christmas. I was kind of joking with our family by asking, "Is anyone allowed to die in a kid's movie anymore?"
As a young kid I assumed that everybody was sort of on the same wavelength as I was and then I found out in a lot of small ways that that wasn't the case. It's sort of a mixed blessing. My mind is like a puppy. It goes all over. I guess writing fiction was a way of harnessing that. I could hook a puppy up to a treadmill and get something out of it.
That for me was the big turning point in my artistic life, when my wife and I had our kids. The world got infused with morality again. Every person in the world should theoretically be loved as much as I love my daughters.
I think the wave of social media rejection is coming. I think there will be a big reaction against it. It's just like sugar- - mean, I loved it as a kid.
I was just a kid selling monster stories to the kids in the projects, complete with a dramatic reading, making the werewolf sounds. My career was aborted early on because one of my main customers started to have nightmares and his mother came to my mother and my mother shut down my whole business.
It's very hard to find a good child actor. There are a lot of child actors out there, especially in America, and they're cute kids, but most child actors appear on sitcoms where their main role is to be cute and make funny little remarks.
One of the big breakthroughs, I think for me, was reading Robert A. Heinlein's four rules of writing, one of which was, 'You must finish what you write.' I never had any problem with the first one, 'You must write' - I was writing since I was a kid. But I never finished what writing.
Unfortunately in television, for whatever reason, fantasy became thought of as a kids' genre.
Young people don't have a fantasy life anymore, not the way we did. All they've got is Kojak and Dirty Harry. There's all these kids running around wanting to be killer cops.
Even in high school I was very interested in history - why people do the things they do. As a kid I spent a lot of time trying to relate the past to the present.
There wasn't much as a kid that inspired me in what I did as an adult.