Moving Quotes - Page 340

Some of the most challenging moves towards health are made with the simplest of steps and that is why I wrote The Start Here Diet.

Each job I had wasn't necessarily the perfect job, but I always talk to young women about how you really have to take certain things from each job and learn from that and then move on to something you really want to do.

That's the great thing about being in a band: it's a gang for people who are too wimpy to fight. You can create a gang and have an identity and fight for something and stand up for something just by making pop songs. They're my gang members and gang members are for life, and if you try and leave, we execute you. That's the way it goes. A simple bang, back of the head, into the river, and we keep moving on.

If you can't create physical life, you find a life force. If that's in music, that's in music. I started to find this deep, primitive rhythm, and I started to move to it. And I held hands with sorrow, and I danced with her, and we giggled a bit.

Los Angeles made me less interested in making my images move. Everything is evolving and regressing. It can be hard to pinpoint which changes are linked to place. I believe California has made me more polite. I get a little surprised when I rediscover how direct and rude Norwegians can be.

L.A. is this huge epicenter of the most popular person. Can you imagine, every single high school in the world where someone says, "You're so beautiful, you could be a movie star," all of those one people move to this town called L.A.

Creating Change - The first step to creating any change is deciding what you do want so that you have something to move toward.

You have to move from just working for money to a world where money works for you.

The nobility of Teresa Leo's poems is that they are not disposed to hide from the dark-rather, they display a mind that tends toward obsession and brooding, that works against fatality like fingers at a knot. The firm, attentive mind on display and the lucid unfolding of the poems are the life instinct seeking and finding its way through again and again. Love and beauty are the argument, but they don't win easily. Bloom in Reverse works through elegy toward survival with moving persistence, both driven and compelling.

It's a new day for the Democrats when it comes to matters of faith, and the younger Evangelicals are aware of this and many of them are moving into the Democratic camp.

I, for one, am quite willing to join the 'forgive, forget and move on' crowd, but it does make me wonder if Evangelicals are going to sound believable when they say that they tend to vote Republican because of their religious commitments to the family.

I think everyone's had their pound of flesh and now it's time to move on.

Living at a beach, near a river mouth, taught him the impotence of impatience at events moving at nature's pace.

The Civil Service is a bit like a rusty weathercock. It moves with opinion then it stays where it is until another wind moves it in a different direction

To move past fear is a cliche.

Some literature is knowledge, some is just data. But if I can get a "happy" ending - which is when for the characters I'm writing about, something happens that they move from wherever they are in the beginning to knowledge or wisdom, they know something they never would have acknowledged or realized if it hadn't been for my book - that for me is what literature does.

Tell us what it is to be a woman so that we may know what it is to be a man. What moves at the margin. What it is to have no home in this place. To be set adrift from the one you knew. What it is to live at the edge of towns that cannot bear your company.

I personally kind of yearn to play characters who are complex and who strike a truthful chord in me and who are challenged in some way and, I guess, who kind of move through those challenges.

Growing up with my brothers has helped me a lot in training. I have learned a lot from them. The moves, their advice and all other stuff. I maybe the youngest, but my older brothers helped me a lot in order to achieve what they have achieved.

I think every collection is always a move forward. It's the same work - the process is always the same. The interesting thing is to try to achieve a certain nothingness.

He [John F. Kennedy] might have envisioned himself being "alone, at the top" but, like Woodrow Wilson, he would find out that not even a President moves free of human entanglement, human needs, human illusions; not even a President can be independent of those around him.

God is not at a loss when He moves to bring us back to Himself. He can woo or whip. He can draw or drive. He can work rapidly or slowly, as He pleases. In other words, He is free to be God! And in His own way, at His own pace, He brings us back.

I wanted to create a believable feeling for 18th Century reality in the Perfume: The Story Of A Murderer. I didn't want this typical film feel of strange people in strange costumes, not really knowing what to do or how to move. If you put an 18th Century costume on Alan Rickman, it looks like he's been wearing it forever because he inhabits the stuff. He is a character that can really travel in time as an actor and transform into this 18th Century person with seemingly no effort.

Look at what has happened to Miami. It has become a Third World country. You just pick it up and take it and move it someplace. You would never know you're in the United States of America. You would certainly say you're in a Third World country.

Newspapers have been likened to steamships that move very slowly, in terms of their direction. And when a reporter is sent out on a story, if that reporter has his or her own personal standards and is given a certain amount of time, they're going to probably do as good a story yesterday or tomorrow as they did the day before yesterday when there was a different editor there. But an editor provides vision. An editor decides what's going to be on page one, what gets rewarded, who's given more time, who's given what beats. They set a direction.