Moving Quotes - Page 382

Nicaragua was destabilizing Central America, meaning moving in a direction the US didn't like. So Nicaragua was crushed.

Activism spawned by Sanders campaign is beginning to make inroads into electoral politics. Under Barack Obama, the Democratic Party pretty much collapsed at the crucial local and state levels, but it can be rebuilt and turned into a progressive force. That would mean reviving the New Deal legacy and moving well beyond, instead of abandoning, the working class and turning into Clintonite New Democrats, which more or less resemble what used to be called moderate Republicans, a category that has largely disappeared with the shift of both parties to the right during the neoliberal period.

It's amazing how flexible the human mind is in terms of jumping into a backstory or an aside. Vonnegut is a great example - it's not a linear story by any means, but somehow your brain is keeping it moving in one direction even though the story is taking you in all these different directions.

I equate inspiration with desire – the desire that moves us to be artists in the first place. To attempt to make a painting without this motivation is a waste of time.

I don't think religions will merge into a great global faith. But I do believe we're moving toward a global ideology that has a place for religion and recognizes the contributions of the different traditions. Hopefully, it will have an overarching view as to how we can work together for the promotion of human values and spirituality.

Moving to London was a culture shock, but in a really good way. I'm more aware now, and I'm less trusting of people in the music industry.

I would feel ill without theater. It's kind of a cliche, but every time you make a mistake, you really do have to learn from it to move on. When you're doing something live, there's no time to dwell. Hopefully you'll laugh it off, but if not, you can always take a day to hate yourself.

I was taught to lie at a young age. . . . I think that [A PARK IN OUR HOUSE] describes what people make out of their reality in a totalitarian system like Castro's. They take flight and move into the imagination in order to transcend their immediate reality. I had to write this play. It helped me understand my own loss of innocence.

Video is moving online in a big way. It's proven to be a challenging market for some companies that start out as a pure Internet company such as Joost.

I try not to dwell on big mistakes but to move on when I make a mistake. I make mistakes most of the times and that's part of the risk profile being an entrepreneur. I guess one big mistake I did was not to start my own company earlier. I spent nine years working for others before starting Kazaa in 2000.

If I can have the opportunity to go into an editing room, it's like the golden ticket for me. All I want is to learn about everything else in the filmmaking process. I just directed a music video which just came out and that'd sort of be the area of the field that I'm going to move into, I hope.

All of the men have been very respectful of me. And that's what I want. They don't have to like you. But as long as they respect you, that's really important. When I speak, I'm listened to. And when I try to move the ball, I do.

If things come up, we can say, "We're not ready for this, let's move some things around."

If you're going to be an artist, you have to create music that moves you, and to not try to fit in so much with what's happening around you. It's a career choice. I could have done other kinds of songs that got me in the radio or Top 10, but I wouldn't feel proud of the work. I come up short when I create music I don't like, and fans can tell too. The goal isn't to get into it to be famous; the goal is to perfect your craft and create your own sound.

I could definitely see myself living back in Australia again. If I had a family, I could move back.

I'm not going to change myself because I think it'll make somebody like me more. And in terms of being a business, I've found that when you're always in the people-pleasing mode, that's the easiest way to lose control of your brand's DNA. I want to sit across from someone who's authentically who they are, even if they're not my personal cup of tea. It's still more comforting than being across from someone who's making moves to please other people!

We move through the day like two hands of a clock: sometimes we overlap for a moment, then come apart again, carrying on alone. Everyday exactly the same: the tea, the burnt toast, the crumbs, the silence.

The text moves like a small crustacean with compound eye and complex nervous system; throbbing, involuted, it becomes a parasite on a different body, animal, using ‘filiform protrusions through which it sucks the vital juices of its host.’ Parasite or creature in mutation on the shore, torrid / delirium: mordant mortality, systematic competition the narrator against the I, leaking gas, a lapse of memory against a promise, an inset in a book. A muscular, involuntary bulging in the breast, circling all its inner surface: mesoblast: visceral.

We're all moving at such a high rate that we have to grab frozen dinners and McDonald's. We can't make it a way of life - we have to get back to real, simple, clean good foods. It will save our lives on so many levels; not just spina bifida, but obesity, diabetes, everything. Food is our medicine.

The two revolutions, I mean the annual revolutions of the declination and of the centre of the Earth, are not completely equal; that is the return of the declination to its original value is slightly ahead of the period of the centre. Hence it necessarily follows that the equinoxes and solstices seem to anticipate their timing, not because the sphere of the fixed stars moves to the east, but rather the equatorial circle moves to the west, being at an angle to the plane of the ecliptic in proportion to the declination of the axis of the terrestrial globe.

If you're in a commercial studio, you've got to be out by the end of the day, and it can be paralyzing, but if you have your own studio you move fast because you don't care. If you don't care, you can be patient, and also think fast.

I always have the feeling that my subjects are the same - I'm just changing my point of view. I'm going to move a little bit this time and watch it a different way. But at the end, I think I'm always fascinated by the same things, except I will express them over and over again, with different words, with different colors, with different shapes. But strangely it will always be the same topics or subjects that are so important to me.

To look deeply into the lawn and see six shades of green - there is hardly that respite for you. And that's our job that we're doing. And it's even more demanding for someone like yourself, who is so extremely creative. But you have to move forward. You cannot just wallow or sit back and take in the accolades. They're wonderful, the accolades, and you appreciate them. But then you go on to the next moment. You have to always be going out to the end of the diving board and diving off.

I'm the kind of person who, even after a shoot that I've loved, is always moving on. There is no gap.

When you're playing a spirit from another dimension, you really can do anything and get as abstract as you want and still have a context that will work within the movie. I wanted Ghost Rider to move in a way where it would be like a bad dream. I thought about cobra snakes, and the way that they will show you their backs and sway in a rhythmic motion and almost lull you to sleep before suddenly attacking. Well, I put that into the movie. And I decided to move my head in the jerky way a praying mantis does. So, I did all these things to give the movie a feeling of otherness.