Museums Quotes - Page 18

As readers can probably tell from my books, I love the outdoors. I love to hike, kayak, and swim. I also love to read (which is probably not a surprise) and I love the theater and art museums. I especially love all the instruments of art: inks, pens, paintbrushes, watercolors and oils, fine papers and canvases, and although I love to mess around with these tools and objects, I have minimal artistic skills.

There are freaky talking mannequins in the Salem Witch Museum that recite the Lord's Prayer and while they do resemble shrunken apples they nevertheless help the visitor understand how hard it must have been for the condemned to say the line about forgiving those who trespass against us.

Celtic music is part of the language in Scotland and Ireland, where every kid and grandparent knows those songs, music by the likes of Woody Guthrie and Hank Snow is getting entrenched here. They are part of our cultural language. It's part of a living treasure. It doesn't just belong to a museum.

Life is a passage through a museum of beauty.

The first place I try to go when I have free time is the museums. I'm a big museum person.

Some of the '80s movies I did are sort of museum pieces. St. Elmo's Fire is great as a sort of kitschy, "Oh, my god, I can't believe we wore that" type of movie.

I guess it started in London, the night our dad blew up the British museum.

I’d been to the British museum before. In fact I’ve been in more museums than I like to admit—it makes me sound like a total geek. [That’s Sadie in the background, yelling I am a total geek. Thanks, Sis.]

I would never have expected anything that I did would ever appear in first-rate museums around the world. That was just a choice that I made, very early on. I was interested mainly in the entertainment arts. I wasn't as interested in being a fine artists.

I have a one of a kind collection of dolls. My house is like a museum.

I wonder if we are seeing a return to the object in the science-based museum. Since any visitor can go to a film like Jurassic Park and see dinosaurs reawakened more graphically than any museum could emulate, maybe a museum should be the place to have an encounter with the bony truth. Maybe some children have overdosed on simulations on their computers at home and just want to see something solid--a fact of life.

Museums have no political power, but they do have the possibility of influencing the political process. This is a complete change from their role in the early days of collecting and hoarding the world to one of using the collections as an archive for a changing world. This role is not merely scientifically important, but it is also a cultural necessity.

The great proliferation of museums in the nineteenth century was a product of the marriage of the exhibition as a way of awakening intelligent interest in the visitor with the growth of collections that was associated with empire and middle-class affluence. Attendance at museums was as much associated with moral improvement as with explanation of the human or natural world.

Gas Lights - Without Oil, Tallow, Wicks or Smoke. It is not necessary to invite attention to the gas lights by which my salon of paintings is now illuminated; those who have seen the ring beset with gems of light are sufficiently disposed to spread their reputation; the purpose of this notice is merely to say that the Museum will be illuminated every evening until the public curiosity be gratified.

The history of successful cases, some of which are in this museum, illustrates that often the regulators and legislatures don't wake up until some plaintiff gets a lawyers and digs out the cover-ups and the incriminating information about a safety defect in an automobile or another product.

A lot of the stuff I've done is inspired by the location. Usually my works are pretty site-specific. There are a lot of shows that are older works, but often when I do new work for a show, it tends to talk to the space or the idea of the museum.

I go to a lot of museums, I read a ton of poetry - anything that's a creative expression of oneself, I find really inspiring.

We sit inert, like dead specimens of some museum, while lessons are pelted at us from on high, like hailstones on flowers.

We have so much information but maybe we don’t know what to do with that information. So we run the risk of becoming museums of young people who have everything but not knowing what to do with it. We don’t need young museums but we do need holy young people.

Avicenna California...Museum of my twisted youth, vault of my dearest and most disgusting memories.

I think that you can treat a classic like a museum piece -stuffed and mounted- or you can make it a living, breathing narrative that is unfolding right then and there.

Picasso has a volatile, explosive presence. He seems to take art back to an earlier function, before the centuries of museums and masterpieces; he is the artist as clown, as conjurer, as master funmaker.

The cinema was certainly an art, but television can't be, because it is the museum of accidents. In other words, its art is to be the site where all accidents happen. But that's its only art.

The thing that helps me do a good job is that I don't feel the need to explain everything about the world to my reader. I'm not writing a history text on the Four Corners. I'm telling a story that's set there. The setting belongs in the background for the most part, and it's easy for fantasy authors to forget that. That's one of the unfortunate parts of Tolkien's legacy, in my opinion. Read the first hundred pages of the Fellowship of the Ring and you start to get pissed, "Shut up about the Shire's museums! Isn't the world supposed to be in peril or something?"

I think movies are now like going to a museum and seeing the latest exhibit - people just aren't going. It really is a dying art form. It feels frustrating.