New Orleans Quotes - Page 11

I've just been writing a column about the way in which Fallujah and New Orleans are looking to be twin towns in effect. They're both been worked over by the Bush Administration.

In the early 1980s, I burned my Social Security card at the New Orleans Investment Conference in protest of the state pension system.

In Canada I'm not dealing with people who are bringing in baggage, they just get it. But New Orleans will be a bit different. If there's a group of people who have a right to be bitter, it's the people of New Orleans.

When I finished my residency in New Orleans, I went to L.A. where I would work as a doctor during the day, and then at night I would actually go to The Improv and do standup, all the while kind of cultivating my comedy resume.

After Hurricane Katrina, I wanted to go back to New Orleans to help musicians return to the city. But Andrew Young advised me, "If you want to help people, go work at an investment bank." His contrarian advice opened my eyes to the importance of capital. "Learn how to make some money before you give it away." I learned that you can bring about good in the world especially if you have a paycheck.

New Orleans could wreck your liver and poison your blood. It could destroy you financially. It could shun you or embrace you, teach you tricks of the heart you thought Tennessee Williams was just kidding about. And in August it could break your spirit.

You saw on your TV what happened in New Orleans after Hurricane Katrina. The Reserves or National Guard are usually the people we use for those national emergencies. They weren't here, they were over in Iraq, and so we were less protected.

On our current path, all our great Gulf and Atlantic coast cities are at risk of meeting the same fate as New Orleans.

It upset me that, five days after the hurricane hit down in New Orleans, the President's plan was for a day of prayer. I would have thought a truck of food. A day of prayer. Now, maybe I'm mistaken here and, again, I'm not a scientific expert, but isn't a hurricane officially an act of God? Isn't a day of prayer kind of redundant? Hasn't God already made up his mind on that sort of thing? So we do a day of prayer. The President has his stupid day of prayer. Three days later, Hurricane Rita hits. Somebody must have said something... something like, is that all you got?

At Carnegie Hall the Preservation Hall Jazz Band showed how easily it could hop from era to era. It could work like a rhythm-and-blues horn section or a tightly arranged little big band if need be, but it could also switch back into the polyphonic glories of vintage New Orleans jazz, in which nearly every instrument seems to improvise around the tune at the same time.

I was rooming with Jimmy Bowen at the time, doing some gigs, then I went back to New Orleans and played there in '62.

I look at the calendar. If it's a nice place, I go, like I did in London when it came to choosing to do a film. I always choose the best locations. New Orleans. That's fun. I'm available. Let's go.

... I tried to end our little duel. I called out pacifying words; I entreated; I finally surrendered. Still Clyde came, my pirate costume so great a success that it had apparently convinced him that we were back in the golden days of romantic old New Orleans when gentlemen decided matters of hot dog honor at twenty paces

I like New Orleans music, I like Memphis music and I like the way that the sound like those places. I like how there are stars and there are people in those cities that are revered in the community.

An obsession that I've developed in my old age, is great architecture. I bought a house in New Orleans and I became quite enamored of the architecture there. It began there. I travel a lot or my work, so now, wherever I go, I wasn't to find the most beautiful church, the most beautiful museums. Anything ancient.

The truth of the matter is that for all the drive-in movie references, what Weston Ochse has really created in Multiplex Fandango is a travelogue. Acting as narrator and guide, Weston takes you on a trip to places familiar and obscure-New Orleans, the Sonoran desert, Mexico's Pacific coast, and the dark, impenetrable reaches of the soul. He shows off sights that chill the blood, and as with any good trip, the things seen and experienced along the way will stay with you for a lifetime.

In his speech President Bush said we need to rebuild Iraq, provide the people with jobs, and give them hope. If it works there maybe we'll try it in New Orleans.

What we do in New Orleans, man - we party!

Once there was Louis Armstrong blowing his beautiful top in the muds of New Orleans; before him the mad musicians who had paraded on official days and broke up their Sousa marches into ragtime. Then there was swing, and Roy Eldridge, vigorous and virile, blasting the horn for everything it had in waves of power and logic and subtlety - leaning into it with glittering eyes and a lovely smile and sending it out broadcast to rock the jazz world.

I like historical fiction. I fell in love with New Orleans the first time I visited it. And I wanted to place a story in New Orleans.

It's a wonderful city and every American has enjoyed New Orleans in one way or the other.

I have no doubt that the government of this great nation will work with its people to lead New Orleans and the Gulf Coast back to an enlightened, proud, safe part of the world.

You basically have to play everything (in New Orleans), because you're getting calls to play gigs of all different styles, from classical to R&B to funk; modern jazz to traditional jazz.

I'm sure that there are reasonable people that had some reasonable projections about the future of New Orleans, but none of those could include not trying to rebuild the city and make it better than it was before.

We have been working with Habitat for Humanity and we have built eighty homes, 80% of which are being lived in by New Orleans' musicians. It is called the Musicians' Village and at the center is the Ellis Marsalis Center for Music.