New York Quotes - Page 87

I don't know about the rest of the country but in New York more people have learned anonymity from rent control than ever discovered it in a twelve-step program.

I had ancestors who were slave-holders, which is a difficult piece of family history to say the least. In a recent New York Times article on the subject of modern attitudes toward our slave-holding past, the writer noted that we all want to be from "innocent origins." I _know_ I'm not. Then again, I suspect most of us are not.

The people in New York have no idea what they're doing.

I can't even drive a car. I don't have a driver's license. I have a rented apartment in New York. That's it. When I travel, I have almost all of my possessions with me. That's how little I own.

I went to New York to be born again. And when the train plunged into a tunnel under New York City, with its lining of pipes and wires, I was out of the womb and into the birth canal.

Chicago - it's a mini-New York.

When I was young, it was an exciting time to be in New York.

The dumping of the mentally ill, full of these new psychiatric drugs, into the streets is a scandal. It's been carried furthest in New York, where whole sections of the decayed Upper West Side are being filled with pensioners and psychotic patients on stelazine, lithium carbonate, and everything else under the sun. They can't diagnose the patient, so they give him the whole psychiatric pharmacopoeia at once, and he walks around in a psychotic trance beautifully painted all over with petrochemicals.

I never thought of myself as a New York poet or as an American poet.

My first feature film was a movie called 'A Gunfight,' with Kirk Douglas, Johnny Cash, Karen Black, Jane Alexander, Raf Vallone... It was shot in Santa Fe, Mexico, in 1970, and it was directed by Lamont Johnson. It was the first gig I did when I got to California from having done 'Hair' in New York on Broadway for a year. It was a Western, though! But that film was not a successful release.

There's a team of filmmakers who follow me in the streets when I'm finding these models, to give me a sense of legitimacy to a casual stranger. This is New York City. No one's going to follow you back to your studio.

I do love New York. But I'm a Londoner at heart.

I started going back and forth, New York, London, New York, London. I wasn't looking back at all. I was doing tons of jobs. Working, working, working, working.

There's something so wonderful about being an actor in New York.

Journeys become very good metaphors. They always have the character put into circumstances that reveal him. If I had based my characters in New York and had them just sitting and thinking about life, it would be like what contemporary U.S. fiction is about. That is very heavy, literally, for me. It doesn't become mainstream enough because the pages don't turn themselves.

In a New York Post interview, Judy Blume, author of young-adult fiction, gave this advice on getting your kids to read: "Moms come up to me at book signings and describe how they're telling their daughters, 'These were my favorite books,'?" she says. "I say, 'Quit it! That's the biggest turnoff!'"You want to get them to read them, leave them around the house and every so often, say, 'You're not ready to read this yet.'

My wife has helped me with a lot of things. She's also got me to like a lot of different things like sushi. I never would have tried that if it weren't for her. I also went to Hillsong (Church) in New York for the first time with her. It's fun to experience new things with the person you love.

I read the 'New York Times', I read 'The Nation', I read 'Newsweek', I read 'Time Magazine', I read 'Politico', I read 'Mediaite'. This is what I do! I read every day, I have interests, I'm like everybody out there who's watching, who's out there watching, you know?

I don't love LA. I love New York and Minneapolis, so if I have a choice I'll stay in those places.

Being born in New York City, tends to lead to big expectations, expectations that I only started to realize after I had left.

New York and LA are both great places to visit, but I wouldn't want to live in either of them now. I find New York extremely claustrophobic and dirty. LA is quite a nice place. But there's no hustle and bustle, no street life.

You can see the most beautiful things from the observation deck of the Empire State Building. I read somewhere that people on the street are supposed to look like ants, but that's not true. They look like little people. And the cars look like little cars. And even the buildings look little. It's like New York is a miniature replica of New York, which is nice, because you can see what it's really like, instead of how it feels when you're in the middle of it.

I was born in New York City, but I was raised in New Jersey, part of the great Jewish emigration of 1963.

The Jews celebrate Passover by eating unpalatable food to remind them what will happen to their people if they ever leave New York City. The traditional meal often includes gefilte fish. For those of you who don't know what gefilte fish is, it strongly resembles a ball of tuna fish that has been passed nasally. It's not good. During Passover, the angel of death passed over the Jews - an event that, up until the late 1950s, was re-enacted every year by Ivy League colleges and suburban country clubs.

My favorite characters are people who think they're normal but they're not. I live in Baltimore, and it's full of people like that. I've also lived in New York, which is full of people who think they're crazy, but they're completely normal.