Sometimes I am still surprised that I'm a model and that people think I'm good-looking. I've gone through a lot of different phases on what I do and why I do it - morally and ethically. I've tortured myself about it, especially in dealing with success and money. I just had to learn to look at it as a job, as opposed to identifying myself as a model and thinking of myself as a part of this industry. I just thought, Okay, this is an opportunity to learn and see and meet people. Still, I am a Scorpio and I'm quite competitive.
Now that I believe in God, I have an extra layer of saying I'll write about what I write about and assume that I'm being offered the opportunity to illuminate something important. But when you think you are too important, you become some sort of fascist.
I'm certainly proud to be Cuban American, and it's a fantastic opportunity for anybody - regardless of their ethnicity or nationality. It does carry a measure or pride to know where you're from and to know what your roots are.
I'd rather do movies 'cause I am better at movies, but I do shows 'cause the opportunities have come forward.
It's hard to get a film, you know, you need a very special film to be able to get that experimental. But, I would love to see that happen. I would love the opportunity to be more experimental than I am.
I think all of us set out to try and reach as many people. That's the whole point of being in a band: trying to get your music out there. So, any opportunity to do that, within reason. We're informed about where our music is going to be used; we get to say yes or no. There are things we can turn down, and there are things we can agree to. When it comes to movies and stuff like that, it's great for us. I don't think it's selling out. Maybe 10 or 20 years ago it was seen as selling out, but nowadays I think it's the only way to get your music out there.
I'll miss some of the opportunities that playing Harry [Potter] brought me.
Potter for me is something that's been giving me these amazing opportunities to start a career and learn while I'm doing, which is the best way to learn.
Franchises aren't to be avoided. They can be exciting, and they give you opportunities to do other films.
I absolutely don't relate to being beaten down my whole life - I had amazing opportunities at a young age - but there is still in many, many people's minds the notion that I'll never be able to escape Harry Potter.
As soon as you think you have a firm idea you allow it to dissolve and you let go of it, particularly when it comes to a stylistic or aesthetic identity. In fact, you only really find out what it is when you deconstruct it; so, yeah, that's a sort of collage sensibility of having a lot of voicings coming from all over the place and not necessarily trying to shape them or try to commodify them. It keeps you in the living language... an opportunity to not be governed so much by intellect.
My parents came to the United States in the early years of this century as part of a wave of Russian Jewish immigrants seeking freedom and opportunity in the New World.
There's a very good reason for why economics developed the way it did, and that is that in many situations, the assumption that people will exploit the opportunities available to them is very plausible, and it simplifies the analysis of how markets will behave.
When it was first optioned, I was told that the chances of The Basic Eight becoming a film were slim because no one was making teen movies, and then later, I was told that the chances were slim because there were so many teen movies, and then I was later told that the chances were slim because teen films were over. I'm not sure when the magic window of opportunity was, but perhaps it's still on the horizon.
We need to have an honest conversation about the policies that are generating opportunity and prosperity.
We have a deep sense of American equality and opportunity, and that informs the way in which we brought our American power to the world, because we thought that other nations were entitled to that same opportunity in a rules-based system.
hen Baillie [Walsh, writer and director] wrote the movie for me I wasn't doing what I'm doing today, so when we actually came to make the movie it seemed silly to change it. But who knows? That's the way things go. What was interesting for me - and what was always interesting in the script - was that you've got someone who appears to have everything, or at least has the opportunity to have everything, and he's f**ked it up, or lost it.
A true leader is someone who maximizes the potential of their people; who ignites their passions and gives them the opportunity to make the most of their gifts in the service of a larger goal. The leaders I met at the talent hotbeds embodied those values.
I see a lot of possibilities in the age of my characters - between 18 and 21. You have a window of opportunity when you leave your childhood behind and have this chance to become what you always wanted to be. For me, that was a time when I could have gone many different ways. I was in flux and deciding what kind of person I would become. There's something interesting about the vision of what that will be and the reality of making that happen, and how you really are what you are. Unless you're "in character," it's impossible to get around that.
But I enjoy the opportunity to use swear symbols.
I enjoy the opportunity to use swear symbols. The reader reads into them something worse than what you normally would have. They work as this outburst of incoherent anger. I've found ways to write around swearing that are much more effective, rather than going for what someone really would say.
It's difficult to talk about, you know, my inadequacies, my inability to stay sober when I'm a relatively bright man and I've had a lot of great blessings and a lot of great opportunities.
I think any sort of system that gives teachers more opportunities like teacher-led schools is a positive one that's going to lead to better retention in the profession, and it's going to be more intellectually challenging, so teachers stay engaged with their work over the many years of their career.
Love is when you have the opportunity of turning someone's feelings or trust or vulnerability against them, but you don't. You make promises you don't want to keep, but you keep them because they're right; you help people who can't help you back. [...] Love is when you find something so great, sonecessary, that it becomes more important to you than your own goals, than your own life - not because your life has no meaning without it, but because it gives your life a meaning it never had before.
Every player feels like they can play at this level. Not every player gets an opportunity. I was fortunate to get an opportunity. Everything's kind of worked out real well.
