Discipline, strictly speaking, is activity carried on to prepare us indirectly for some activity other than itself. We do not practice the piano to practice the piano well, but to play it well.
Everything we do needs to be geared toward making the sport [auto racing] more accessible to the fans - the rules of the sport, how the race plays itself out, how people qualify into the races - everything needs to be as easy to understand as possible.
You can sing only what you are. You can paint only what you are. You must be what your experiences, your environment, and your heredity have made you. For better or for worse, you must play your own little instrument in the orchestra of life.
I am always looking for a great play and a great part to do.
I can play, and I know it; I'm not looking for any pats on the back. I don't have to be endorsed by anybody. I make enough to live and eat, and I'm happy with my music-and that's all I need.
When you've got a player who does what he does at that pace this late in the game than you know you've got an invaluable talent.
I remember John walking on and starting to play, and my mouth sort of dropped open in disbelief at the power of the playing coming across the stage - and the technique! I've never, ever seen another drummer play quite the way he did.
I made the tenor sax - there's nobody plays like me and I don't play like anybody else
I don't think about music as being new or modern. I just play.
Acting is a sport. On stage you must be ready to move like a tennis player on his toes. Your concentration must be keen, your reflexes sharp; your body and mind are in top gear, the chase is on. Acting is energy. In the theatre people pay to see energy.
It is dangerous to play politics with the Budget.
Every time you win a cup it's special, but it's a dream come true when it happens at a club where you started in the youth set-up, surrounded by friends who formed an incredible generation of players.
I've always felt kind of safe on stage, protected. I've talked to other performers about this and they feel the same things, particularly in the live arena. I never get nervous going on stage to do a play. Doing film or television I'll have more butterflies.
I think if you play characters, it's very important not to ever tag them with any sort of disorder, or diagnose them, or whatever. You have to normalize the behavior to get inside the character.
An idea has no worth at all without believable characters to implement it; a plot without characters is like a tennis court without players. Daffy Duck is to a Buck Rogers story what John McEnroe was to tennis. Personality. That is the key, the drum, the fife. Forget the plot.
I'm a lot better coach when I have really good players
Our swords shall play the orators for us.
In a good play, everyone is in the right.
With someone who holds nothing but trumps, it is impossible to play cards.
The minute you make a record because you think somebody's going to play it on the radio is the minute you ought to quit.
I can definitely say the same thing [discussing Steffi Graf's claim that she had played against at least one top player who used steroids]. Steroids can really make a difference, physically and mentally. I'd be really disappointed if I had been ranked No. 2 behind someone who took steroids.
I have the insecurities of any actress, I suppose of any woman. Even the most beautiful ones feel unhappy. Look at Bardot: she was suicidal. But I like to play with the camera. I like to ham it up.
I think there's a lot of different things that factor into playing good defense, and you just can't say, "All right, if we just hold on to the ball long enough, we're going to play good defense."
When I was a kid I never learned to play. I actually got in bands through watching people play and copying them.
And your brain doesn't naturally know how to think the way Zeckhauser knows how to play bridge. "for example," people do not react symmetrically to loss and gain. Well maybe a great bridge player like Zeckhauser does, but that's a trained response. Ordinary people, subconsciously affected by their inborn tendencies.