In my first film, I was a basketball player. Like every good actor, I lied when they asked me if I could play.
I enjoy listening to Olla Bell. There is also this young guitar player, John Duke Lippincott, he sometimes goes by Johnny Duke. He is the most brilliant guitar player from right here in Wilmington, DE.
Phil Robson is a disturbingly good jazz guitar player!
The use of rock, folk, or pop music serves a purpose. It gets people into the church. But an inexperienced guitar player who doesn't have much to say, for example, can make me wish to leave the church immediately, whereas one great jazz or classical guitarist can confirm that I will have a spiritual experience in the church.
I don't know an England player who could fix a light bulb, let alone a match
I'm the quiet bass player.
The Bronx are great. I have a lot of respect for those guys, they know more about music and how that world works than most of the players out there.
A traditional fixture at Wimbledon is the way the BBC TV commentary box fills up with British players eliminated in the early rounds.
When I used to be a contract player in 1954 at Universal, I wasn't getting good roles. I was getting one-liners, and then I'd be gone. But I'd hang around; I'd watch guys. And when I had days off, which was most days, I'd go down and watch other sets while they were shooting. Watch Joan Crawford or whomever. Just watch how they worked and how the director handled them. I didn't know anything about making movies, and there's a lot to learn.
I'm definitely a frustrated musician, though it's more in terms of wishing I was a better guitar player and songwriter. But I've never regretted becoming an actor instead. I think it's been a more pure form of self-expression for me. I luckily found something that I could aspire to be good at, whereas I never... I think I'd never quite reach that level of artist that I enjoy in the music world.
I used everything as a positive to make me a better person and a better player. I have no regrets. Everytime I had to play a big game, I played a big game. I used some of the skepticism as a positive and motivation.
I think actually any morality system that rewards only the extremes is a flawed system. Players don't approach life that way, they don't approach games that way, and they shouldn't be trained to approach games that way. They shouldn't be in the mode where, "I've got to choose every good option." They should just play the game. And they should get equal consequences or rewards for that, that are different from the extremes.
The moment you start dictating content/themes/story vs. allowing the player to be a participant in the story and carve their own path, you're doing the player a disservice.
The dollar that's being paid the players has hurt the game. The players take advantage of coaches. The players' attitude is, "I make more than you, so don't tell me what to do."
I remember my dad, who coached football, would buy some of his players football shoes when they couldn't afford it.
Gary Player and others have said all of us should all give Arnold Palmer a percentage of our earnings because without you there would be no television contracts and without you it wouldn't be as good for anyone.
I always wanted to be a player, but I never had the talent to make the big leagues. So I did the next best thing: I bought a team.
I think as a veteran player, in general, you should feel that sense of responsibility to try to lead these guys to becoming good pros. You want the league to be in good hands, and you want these guys to become great NFL players and then pass it along to the next generation. You can only lead by example, and that's pretty much what I'm trying to do.
I have been accused of being a very simplistic, very lyrical player, and that's okay. That just comes from the blues, which is my background. But every day you wake up and transcend. You can't ever rest on your laurels.
I honestly think I am a better player than I was four years ago, when I was No. 1 in the world.
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I kept thinking, 'this must be the coolest job - I'd like to be a professional baseball player.' They were getting paid to play a game, and what a cool lifestyle that was.
When I played, I never needed the spotlight, nor did I want it. I simply wanted to play baseball and be respected by my teammates and the opposing players.
Basically, you're still sitting there using just the muscles of your hand, really. Of one hand, actually. It's another example of the transfer of literacy to making music because the assumption is that everything important is happening in your head; the muscles are there simply to serve the head. But that isn't how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They're using their whole body to make music, in fact.
I describe things in terms of body movements. I dance a bit to describe what sort of movement it ought to make, and that's a good way of talking to musicians. Particularly bass players.