And there's even a lord named Lord Dashwood [like the characters in Jane Austen's Sense and Sensibility]. It's very steeped in Austen. It's been used in many films, but not in its entirety and we shot the inside and the outside and used every nook and cranny. The inside is very gaudy. It's a little naughty inside. There's a lot of portraiture.
If my people look as if they're in a dreadful fix, it's because I can't get them out of a technical dilemma.
What I remember about being painted was a very severe atmosphere. I remember her intensity and sharp glance.