Producers Quotes - Page 4

I want to be remembered as one of the illest, youngest cats to do it successfully and to keep doing it successfully. My early story alone deserves to be told, because at 6 years-old I was discovered by one of the best producers of all time, Dr. Dre, and I went on tour at 6, and appeared on Snoop Dogg's album at the age of 7. And I'm still here. Nobody else has a story like that, and it has to end great.

I do a lot of co-writing with my producer RedOne, and then a lot on my own. I just like to be creative.

I was in a commercial when I was three. My godfather was a director and a producer of commercials. He took me in along with his kids and I couldn't remember my lines. I giggled my way through the commercial and they kept it.

The latest technology is not always good for anything except to the producers of the technology.

All producers encourage you, whatever it is, to make it more-so. If you've got a joke, can it be funnier? If you've got an action sequence, can it be more exciting? That's the nature of being a producer.

I actually met a producer of Stanley Kubrick's who told me that Kubrick had never even thought about doing Perfume: The Story Of A Murderer. He just read it and didn't want to do it - that's it. There's a myth around that he said it's not filmable. But he never wanted to film it.

You know, what a producer does is one of the great mysteries in life, so anyone can be one.

Producer Ed Pressman had a book about Diane Arbus - it's the only biography that exists - and there had been many Diane Arbus scripts. Many. I don't even know how many over the years. And it's sort of a cursed project, for lots of reasons. There's probably some pile somewhere of all these weird attempts, all these portraitures that can't get made.

The line between producers, songwriters, and remixers is so thin.

I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves.

What producers did was mostly recording in the studio, so it never changed our sound just that much.

I've been accused of being unambitious, but what I do takes up every minute. I'm executive producer, I'm a writer and the host.

I came in ["MADtv"] kind of late in the season. Some of the producers didn't want me but the network did. It was all (messed up) from the beginning.

The beauty of having a producer is that you have someone who says, You're finished.

I realized than an author cannot also be a producer.

When you're a producer, you don't feel comfortable trying to push a vocalist when you first start out. But for me, I like to push the boundaries of what my collaborators are comfortable with.

It's lovely being a producer. It's really a lot of fun and I can learn a lot.

Everytime you put an album out with any producer you do the same thing.

Producers say things that they would like to see in the movie but they don't see the full picture. In the end if you ignore everything the producers say, of course, you get fired; but then if you listen to a producer on everything then it's like 'Hey - why don't you direct your own movie?'

The studio experience fluctuates depending on who you work with, it's not like it's all one experience. Every studio is different, every producer's personality is different. You never know what you're going to do.

One of the great things is, you're never a producer unless you're making a movie.

Producers don't really publicize movies.

You have to be producing to be able to be called a producer.

Superman was never previewed because the producers didn't trust Warners with the film.

A lot of times, in music especially, it's producers making a political decision.