Reading Quotes - Page 239

My first reading of Tolstoy affected me as a revelation from heaven, as the trumpet of the judgment. What he made me feel was notthe desire to imitate, but the conviction that imitation was futile.

Focusing on the way I look makes me uncomfortable. I try to focus on the way I feel - I know what makes me feel better about myself. Reading my child a story makes me feel great, doing my hair nicely doesn't.

He just put his hand through the bulkhead, exactly as she'd done, and squeezed my shoulder. He has very strong fingers. And he kept his hand there the whole way home, even when he was reading the map and giving me headings. So I am not flying alone now after all.

Reading was very important; the proper exercise and development of one's mind was a paramount duty.

For years I did most of my reading on the F train between Brooklyn and Manhattan. I had long commutes, and I read tons of books on that train; I loved it.

Marie Antoinette: The Portrait of an Average Woman was one of those books I read in my mid-twenties that was life-changing. I think I had a very black-and-white view of Marie Antoinette before, but in reading that book, I developed a lot of empathy for her. She was just caught up in history. There was no place for a woman to do anything at that time anyway.

But, yes, I learned everything working in theater. I learned the importance of community - I was constantly going to play readings, stand-up nights, improv. nights.

I loved reading the Dalai Lama's words: My religion is loving-kindness. I realized that meant loving-kindness to everyone in my life: past, present, and future; and that meant loving-kindness to myself-in my pain, in my jealousy, in my fear.

You have to be very clear with yourself about how you're going to spend your time. When a child is at school or napping, you need to realize that this is your writing time and you don't spend it surfing the Internet or reading.

[My friend and I] decided, we'll go to Corsicana, and we'll see what the people in Corsicana say. ... We just started meeting people and talking to them, and the more I heard the stories, the more red flags kept popping up. There was this disconnect between this person [Todd Willingham] that I'm reading in the court records, the prosecutor's statements, and this person that I'm learning about.

Given that life is so short, do I really want to spend one-ninetieth of my remaining days on earth reading Edward Gibbon?

the slight sense of degeneracy induced by reading novels before luncheon

A novel which survives, which withstands and outlives time, does do something more than merely survive. It does not stand still. It accumulates round itself the understanding of all these persons who bring to it something of their own. It acquires associations, it becomes a form of experience in itself, so that two people who meet can often make friends, find an approach to each other, because of this one great common experience they have had.

Reading Claire Cooks novel is like eating some exotic dish about which you say, Wow, this is great! Whats in it? The ingredients here are: intelligence, humor, poignancy, revelation and, perhaps best of all, true originality. Ready to Fall seems to me to be ready to soar.

Books succeed; and lives fail.

We get no good By being ungenerous, even to a book, And calculating profits--so much help By so much reading. It is rather when We gloriously forget ourselves, and plunge Soul-forward, headlong, into a book's profound, Impassioned for its beauty, and salt of truth-- 'Tis then we get the right good from a book.

I try and picture you reading this -- there is a sense that as I write I try and get nearer to you, connect in my mind with you.

As an actor, it's a relatively passive job unless you're generating your own content or writing your own content. So to a certain degree you're at the mercy of what is available, what you're reading, what you become passionate about, and ultimately, what people want to hire you for.

As a grad student and later as a writer, I have found it hard to sustain the pure, almost erotic love of reading I had as a kid - you know, where you climb in bed and read for hours and hours, and the book itself is this charged magical object. Later, when writing becomes your job, it's tied up with ego and all kinds of worry, and it's not always easy to get to that state of pure escape.

I try really hard to cultivate the pure love of reading, to make time for it, because it would be really sad to still be a writer without remembering why, on some visceral, emotional level.

I've been thinking a lot about why it was so important to me to do The Idiot as a novel, and not a memoir. One reason is the great love of novels that I keep droning on about. I've always loved reading novels. I've wanted to write novels since I was little. I started my first novel when I was seven.I don't have the same connection to memoir or nonfiction or essays. Writing nonfiction makes me feel a little bit as if I'm producing a product I don't consume - it's a really alienating feeling.

As for the discipline, we [me and Frank Moore Cross] belong to two different disciplines. One involves research and archaeological materials. Mine is more interpretive. But it is the love for the text that is there, and that is what makes the whole adventure of reading and studying and sharing worthwhile.

In five minutes the earth would be a desert, and you cling to books.

Feelings, too, are facts. Emotion is a fact. Human experience is a fact. It is often possible to gain more real insight into human beings and their motivation by reading great fiction than by personal acquaintance.

Of all the nations in the Western world, the United States, with the most money and the most time, has the fewest readers of books per capita. This is an incalculable loss. This, too, is one of the few civilized nations in the world which is unable to support a single magazine devoted solely to books.