Life is change, how it differs from the rocks.
My influences are vast and varied. I was into classic rock at the same time that I was into hip-hop. It was just that hip-hop was the first music that I got really really into. Rock was right on its tail.
My advice to you is be boring, square, asshole parents... When I have kids, the most recent CD I will own - Phil Collins, No Jacket Required, and I'll rave about it. 'Do you like rock 'n' roll? 'Cause this is rockin' good stuff, kid.'
I like making records right now 'cause I can express myself that way in a very immediate, physical sense. You can always write a book, but you can't always do a rock 'n' roll record that's gonna work.
Why do people want to know exactly who I am? Am I a poet? Am I this or that? I've always made people wary. First they called me a rock poet. Then I was a poet that dabbled in rock. Then I was a rock person who dabbled in art.
What I wanted to do in rock'n'roll was merge poetry with sonic scapes, and the two people who had contributed so much to that were Jimi Hendrix and Jim Morrison.
You're not a rock 'n' roll person four hours a day or even when you're on stage. It's become the rhythm of your whole life.
I always hesitate when people call me a musician.I have had no musical training. I can't play anything. I really think of myself as a performer. It's always been writing for me. I evolved with my band in rock 'n' roll through poetry, not through music.
I'd try to write my poems in a certain rhythm. I had my rock 'n' roll stuff for performing and my denser stuff for writing.
Everybody's got to reclaim these thingspoetry, rock'n'roll, political activismand it's got to be done over and over again. It's like eating: you can't say,'Oh, I ate yesterday'.You have to eat again.
New generations have unprecedented power to make great changes. Take the music business for example. The new generations have toppled the music industry by file sharing, downloading, and Myspace. Rock 'n' roll belongs to the people.
I'm not really a musician. I'm a performer and I love rock 'n' roll.
When I was younger, I felt it was my duty to wake people up. I thought poetry was asleep. I thought rock 'n' roll was asleep.
My mother loved rock and roll. She loved high-energy music.
My father hated rock and roll - hated it. My first real argument with my father was over the Rolling Stones. And he never, ever liked rock and roll. He just liked me.
I was never a singer, I can't play any instruments, I had no training. Plus, I was brought up in a time when all the great rock stars were male. I didn't have any template for what I was doing. I did what I did out of frustration and concern.
When I started making music, we'd lost a lot of our great people. Rock was moving in a direction I didn't like. Rock was my generation's revolutionary, sexual, poetic, and political voice, but it had become corporatized. It was going into stadiums. It was so far removed from its basic roots.
I always wrote like rock 'n' roll. And I always listen to rock 'n' roll as poetry.
I wanted to remember the original energy; strip away all the glamour and limousines and tons of drugs. I wanted to get back to the revolutionary ideas, merging poetry and rhythm and rock and roll.
Music television is all about the media-oriented version of what it is to be a rock star; it's not about what Bob Dylan or Jimi Hendrix were about - which included great images, sure, but they had spiritual and political and revolutionary content, too.
My favorite composers are the ones that tell the story. I love Wagner. I love Mahler. Prokofiev. The programmatic music. I listen more to classic rock because I don't like the contemporary music very much.
I think that Stevie Nicks is one of the greats. Steve Nicks and Grace Slick and Janis Joplin have the real rock voices, to me.
If you're an actor, you know people are going to recognize you in a restaurant. If you're a rock star, you know people are going to stop you on the street and ask you for your autograph. But as an author? That's not something I was ready for.
Through the history of rock n' roll, you see lots of bands making the mistake of putting on the tights when they get to arenas. Don't do that.
Mothers know the difference between a broth and a consommé. And the difference between damask and chintz. And the difference between vinyl and Naugahyde. And the difference between a house and a home. And the difference between a romantic and a stalker. And the difference between a rock and a hard place.