Scene Quotes - Page 9

I actually fell asleep during one take with Jeffrey Wright because I relaxed myself so much. I just stayed so still that I just nodded off, and kind of snapped back into it in the middle of the scene.

A scene can be created when people are coming together. Either to shop or to hang out.

It was one of the marvellous feelings of the film, having the music going in your head while doing scenes.

There are some scenes that work beautifully in a moving, sweeping master, which is how I like to work.

It's the only thing that keeps me going these days, travelling. Changes of scene, changes of faces

The Heads were the only band on that scene that had a groove.

But I could never make a judgement that something was obscene.

I don't get it when you get so much openness about the way movies are made, and the special effects and the behind-the-scenes stuff and all of that. I can't help but feel like this reduces it a little bit.

Elvis changed the country music scene quite a bit; he almost put country music out of business.

When I first see the dailies, I look only at myself, but then you start to see the scene.

I find it enormously valuable to be sure that that the pacing is what I think it is and that the scenes have the shape I think they have musically and dramatically.

I'm always looking for the idea in a scene or the philosophy that makes a scene worth existing beyond exposition.

The trouble with normal is it always gets worse, fashionable fascism dominates the scene.

D.C.'s always had a great scene.

I hope to be on the scene for a long time. I'd love to be old and gray and still be working in this [horror] genre.

That's just globalization. It's got good sides as well. But scenes aren't allowed to develop on their own anymore. Everyone knows about everything.

A court is like a scene, people want to see attractive people.

Costumes and scenery alone will not attract audiences.

I would have to say honestly I was very pleased to be in a movie whether it was good or bad with De Niro, Norton and Brando even if I don't have any scenes with them I thought it was pretty good company to keep.

I think because I do model for brands but it's never without input, ever. With AG I front their campaign, and obviously designed the collection for them. I did the same back in the day with Madewell. Even with Longchamp, there's a certain amount of collaboration on deciding on photographers and stuff like that. It's something that I'm accustomed to doing behind the scenes.

I'm sure every film it's going to be like, 'Okay, this is the scene where your shirt gets ripped off.' I'll never be able to keep my shirt on.

I just want to make pictures that are entertaining. I'll leave the scenery chewing to someone else

It's hard to be natural in a scene when you pick up the phone and no one is there.

The world's a scene of changes.

When youre in that scene, you really wonder if this is all youre ever going to be. You know how vile and filthy you are inside.