The great thing about filming a film is that you all have your final day's shooting, but you always know that you're all going to be coming back for the premiere.
You know, life is long. My shooting career is long.
I can't really envision a time when I'm not shooting something.
I am kept awake by the list of possibilities for shooting more photos and deciding what I must prioritise next.
I'm at the halfway point of shooting .
The important bit for an actor is the actual shooting of it, because the minute the shoot ends, it's got nothing to do with you anymore.
Shooting stuff on horseback is more complicated and time consuming than anything else.
With animation, if something does not fit, you always have the time to change it. When you make a live-action movie, when your days of shooting are over, they are over forever.
We know from Talmadge Hayer, one of the men who carried out the assassination, who was shot by Ruben X as he tried to flee the Audubon after shooting Malcolm X, we know that Hayer confessed years later to his Imam in prison that there had been a walk-through a week prior to February 21st [1965] at the Audubon Ballroom.
I'd love to play in, like, a 'Lord of the Rings,' or something like that, or a James Bond or, you know, just something like with action, shooting.
After six, seven films, I started to get a little tired. Shooting takes a lot out of you.
It’s funny, I started by making fake American movies, The Transporter and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
I can sing better after shooting smack in both arms than after eating too much.
I've got this reputation for shooting one take which is a wonderful reputation to have but it's hard to live up to.
Shooting guns is not something I would do in my spare time.
They continue to criticize me for my outside shooting, but I continue to make outside shots.
It's a fun thing to do: Go to a shooting range with a buddy, knock off a few rounds, release stress.
I love shooting French films because I don't have to stick with being sophisticated or stuck-up.
I am who I am, in terms of shooting from the hip occasionally.
A studio allows me more freedom. You can create your own sort of reality which is actually more exciting than shooting on location. You can conjure up a complete atmosphere of escapism for the public.
When I'm shooting things, I'm training.
I just had my 30th birthday and we went turkey shooting. It's what I wanted to do, so we went.
I've never done so much bloody crying in my life. I was always moaning about how hard it was when we were shooting, how awful I felt.
It may seem strange, but the most grateful I've ever felt was when I was held up at gunpoint. After I handed over my wallet and the mugger ran off into the woods, I thought, 'Thank you for not shooting me.' I was overwhelmingly glad to be alive and unharmed.
Nobody could disappear to their trailer once it was up and running, you were all there on the same stage. It was 10 days of rehearsal and 10 days of shooting, which was very tiring.