Shooting Quotes - Page 12

The gigantic tension before the shooting of an arrow, and the total relaxation seconds later, is my way of connecting to the universe.

You have to know what you're shooting. Don't just make your movie in the editing room and just get everything you can on the day.

Even for an area I know well, I prepare a shooting list of subjects I need.

I am not a fan of improvisation, because it bores me. Working off a tight scenario gives you the confidence and ability to - why don't we change this a little bit and bring it back to the script. You always discover things while shooting.

The trouble with shooting people, Edie Banister now remembers, is that it's so hard to do just one.

I was out on the shooting range twice a week [for Skyfall]. I worked out with a personal trainer for two hours a day, five days a week. So, it was quite demanding!

It was also great shooting in London at Pinewood Studios because of all its history. So many of the 007 movies were filmed there, as well as classics by everyone from Marilyn Monroe to Jack Nicholson to Martin Scorcese. It's like working on hallowed ground. So, I felt a responsibility to make sure I did as good a job as I possibly could.

A lot of police shootings are justified, but many others are not.

I wouldn't call it "police reform," but I would say that police procedure enhancement could be helpful - these police shootings are absolutely horrible.

Youre shooting yourself in the foot if you isolate or disempower the moderates.

As an actor if you're working you're usually in three places, you're either prepping something, you're shooting something, or you're post on something or promoting something.

The U.S. prostitutes are fighting with everybody, shooting at everybody. It's like dating a gangbanger.

You can't make a movie about the artist without shooting outdoors.

Jessica Jones is very unique, and we are all in awe of the response from the public. It seems that everyone connected with the character, and we enjoyed shooting it.

I believe in the autobiographical concept only to the degree that I am able to put onto film all that's passing through my head at the moment of shooting.

Usually, when you do a period movie, you just recreate what you are shooting. You don't recreate the way you shoot it. I think I did the same thing here as I did in the OSS 117 movies. I recreated the way to shoot that period, because to me, like what I was saying about the Steadicam, there's no sense to do a Steadicam shot in the 1920s because you have never seen the '20s like that. You can't believe there was a Steadicam in the 1920s. I believe it's a continuation of the OSS 117 in a way but without the irony.

When you're fast when you're shooting, there are great things that you discover. By being fast you also sometimes get more time to experiment.

We were shooting this movie called "Hardball," with Keanu Reeves. We shot in the city, and I just remember I couldn't really do too much. At 13 or 14, you couldn't go out to any nightlife.

but I know you're the brightest shooting star in the sky - Astrid

There's just no real job security when you're shooting a show about an apocalypse and anybody could die at any time.

When I was shooting with Tarantino and Mike Mills and amazing directors, it made me think that I would never be a director. It's obviously too hard.

The new film I'm shooting in Jerusalem - which is partly why I'm here in Israel - is something I co-wrote.

An arrow is never afraid of shooting from the bow; but it is afraid of not reaching the target!

While shooting a movie if I can't find what I want, then I keep going until I find my moment.

Scenes change while shooting. Nowadays, while you're shooting the movie, you're cutting at the same time.